Viewer Rating
Combines user and critic ratings from four sources

The Protectors (1964)
Ex-insurance investigator Ian Souter sets up his own security agency - the SIS (Specialists in Security) - along with ex-cop Robert Shoesmith & secretary Heather Keys - and fight crime.
Ex-insurance investigator Ian Souter sets up his own security agency - the SIS (Specialists in Security) - along with ex-cop Robert Shoesmith & secretary Heather Keys - and fight crime.
The film's central subject matter, professional security and protection, is largely apolitical, focusing on the practical challenges and human drama of the profession rather than promoting specific political ideologies. The narrative champions skilled individuals addressing immediate threats, leading to a neutral rating.
The series features a cast with visible diversity, consistent with a typical British police drama of its time, without explicit recasting of traditionally white roles. The narrative maintains a neutral or positive framing of traditional identities, focusing on its genre's core themes rather than explicit critiques or DEI-driven storylines.
The Protectors, a British action-adventure series from the early 1970s, does not contain any identifiable LGBTQ+ characters or themes in its known plotlines or character descriptions. The show's focus is on international private detectives solving crimes and espionage cases.
The British television series 'The Protectors' (1964) does not feature any identifiable transsexual characters or themes. Consequently, there is no portrayal of transsexual identity to evaluate within the scope of this framework.
The movie does not contain any action or adventure elements.
As an original television series from 1964, "The Protectors" does not adapt pre-existing characters from source material or history. All characters introduced in the show are new and original to its narrative, therefore precluding any gender swaps.
The Protectors (1964) is an original television series, not an adaptation of pre-existing material with established character races. Therefore, no characters could have been race-swapped from a prior canonical or historical depiction.
Combines user and critic ratings from four sources























