7.4
Viewer Rating
Combines user and critic ratings from four sources
The Third Man (1959)
The Third Man (1959)
Overview
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
7.4
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores moral ambiguity and corruption in post-war Vienna, focusing on individual choices and the pursuit of justice rather than promoting a specific political ideology or systemic solution.
The film features a cast that aligns with traditional casting practices of its era, without intentional diversity-driven casting. Its narrative focuses on themes of suspense and moral ambiguity in a post-war setting, without explicitly critiquing or promoting DEI themes related to traditional identities.
Secondary
The Third Man (1949) is a renowned film noir focusing on a mystery in post-war Vienna. The storyline and character development do not include any identifiable LGBTQ+ individuals or themes, resulting in no portrayal of queer identity within the film.
The film 'The Third Man' does not feature any identifiable transsexual characters or themes. Its narrative is centered on a post-war mystery in Vienna, focusing on crime, intrigue, and moral ambiguity, without any depiction of transgender identity.
The movie does not contain any action or adventure elements.
The 1959 TV series "The Third Man" features Harry Lime, a character who was male in the original 1949 film and novella, and remains male in the series. There is no evidence of other established characters from the source material having their gender changed in this adaptation.
The film "Third Man on the Mountain" (1959), based on the novel "Banner in the Sky," features characters of European descent in the Swiss Alps. The cast, including Michael Rennie, portrays these characters consistently with their established race in the source material, with no instances of race swapping identified.
Viewer Rating Breakdown
User Ratings
7.7
7.1
Critic Ratings
N/A
N/A
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