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Vincenzo (2021)
At the age of eight, Park Joo Hyeong left for Italy after being adopted. Now an adult, he is known as Vincenzo Cassano and employed by a Mafia family as a consigliere. Due to warring Mafia factions, he flies to South Korea where he gets involved with lawyer Hong Cha Young. She is the type of attorney who will do anything to win a case. Now back in his motherland, he gives an unrivalled conglomerate a taste of his own medicine—with a side of his own version of justice.
At the age of eight, Park Joo Hyeong left for Italy after being adopted. Now an adult, he is known as Vincenzo Cassano and employed by a Mafia family as a consigliere. Due to warring Mafia factions, he flies to South Korea where he gets involved with lawyer Hong Cha Young. She is the type of attorney who will do anything to win a case. Now back in his motherland, he gives an unrivalled conglomerate a taste of his own medicine—with a side of his own version of justice.
The film's central thesis strongly critiques corporate greed and corruption, portraying a legal system compromised by powerful conglomerates, and champions extra-legal means to achieve justice for the exploited, aligning with left-leaning themes.
The movie features a predominantly South Korean cast, which is traditional for its production context and does not involve explicit recasting of traditionally white roles. The narrative focuses on themes of justice and corruption, without explicitly critiquing traditional identities or making DEI themes central to its plot.
The series includes a supporting character, Larry, whose effeminate mannerisms and implied attraction to men are used for comedic purposes. This portrayal is incidental, neither strongly affirming nor overtly denigrating, resulting in a neutral net impact on LGBTQ+ themes within the narrative.
The Buddhist monks are depicted as integral, albeit eccentric, members of the community who embody kindness, support, and a unique form of wisdom, contributing positively to the narrative's themes of justice and community.
The film portrays Christianity through Father An Gi-seok and the church community, who, despite their eccentricities, are depicted as generally good-hearted and supportive. The narrative uses the church as a symbol of community and refuge, and the faith itself is not critiqued or ridiculed.
The film 'Vincenzo' does not feature any identifiable transsexual characters or themes. The storyline centers on a dark comedy crime drama involving a lawyer's fight against corporate corruption, with no elements related to transsexual identity or experiences depicted throughout the series.
The series features prominent female characters like Hong Cha-young and Choi Myung-hee, who are primarily involved in legal battles and strategic maneuvering. While female residents of Geumga Plaza participate in group resistance against male thugs, no individual female character is depicted winning a direct physical combat encounter against one or more male opponents through skill, strength, or martial arts.
Vincenzo is an original South Korean television series, not an adaptation of pre-existing material or a reboot with legacy characters. All characters were created for the show, thus precluding any gender swaps from prior established canon.
Vincenzo is an original South Korean drama series. Its characters, including the titular Italian-Korean consigliere, were created for this specific show, and their races are integral to their original conception, not adapted from pre-existing source material or historical figures with different established races.
Combines user and critic ratings from four sources























