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1900 (1976)
The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.
The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.
The film explicitly promotes a progressive ideology by depicting the systemic exploitation of the working class by landowners and the rise of fascism, ultimately championing revolutionary socialism and communism as the solution to these injustices.
The film features traditional casting consistent with its historical setting, without intentional race or gender swaps. Its narrative primarily focuses on class struggle and political ideologies in early 20th-century Italy, offering a critique of certain power structures through that lens rather than explicit modern DEI themes.
The film includes characters engaging in same-sex relationships or acts, but these are primarily associated with villainous or morally corrupt individuals. Regina's bisexuality is linked to her decadent and cruel nature, while Attila's same-sex abuse is part of his monstrous sadism, resulting in a net negative portrayal.
The film portrays the Catholic Church as an institution largely aligned with the landowning class and later with the fascist regime, often failing to challenge social injustices or actively supporting oppressive forces.
The film '1900' is a historical epic primarily focused on class struggle and political events in Italy during the first half of the 20th century. There are no identifiable transsexual characters or themes present in the narrative, leading to a 'N/A' assessment for its portrayal.
The movie does not contain any action or adventure elements.
The film "1900" is an original historical drama featuring fictional characters. There is no prior source material, previous installment, or historical record for its characters to establish a canonical gender that could be subject to a gender swap.
The film "1900" is an original historical drama with characters created specifically for the movie. It is not an adaptation of existing material or a biopic of historical figures, thus there is no prior canonical or widely established racial depiction to be altered.
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