5.0
Viewer Rating
Combines user and critic ratings from four sources
28 Days (2000)
28 Days (2000)
Overview
After getting into a car accident while drunk on the day of her sister's wedding, Gwen Cummings is given a choice between prison or a rehab center. She chooses rehab, but is extremely resistant to taking part in any of the treatment programs they have to offer, refusing to admit that she has an alcohol addiction.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Christianity: Positive
Viewer Rating
5.0
Overview
After getting into a car accident while drunk on the day of her sister's wedding, Gwen Cummings is given a choice between prison or a rehab center. She chooses rehab, but is extremely resistant to taking part in any of the treatment programs they have to offer, refusing to admit that she has an alcohol addiction.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film maintains a neutral stance by balancing the progressive emphasis on addiction as a disease requiring therapeutic community support with the conservative value of individual responsibility and discipline in the recovery process.
The film features visible diversity within its supporting cast, though it does not involve explicit race or gender swaps of traditionally white roles. The narrative centers on the universal struggle of addiction and recovery, maintaining a neutral to positive framing of traditional identities without explicit critique.
Secondary
The film features Gerhardt, a gay man in a rehab facility, whose identity is present but not central to the narrative. He is depicted with dignity and complexity, and his sexuality is handled respectfully without being a source of ridicule or a primary focus. The portrayal is incidental, neither strongly affirming nor denigrating.
The film portrays Christianity through the character of Gerhardt, whose faith is a sincere, if sometimes challenged, part of his recovery journey. It is depicted as a genuine source of support and identity, without ridicule or negative framing by the narrative.
The film '28 Days' focuses on the protagonist's struggle with addiction and recovery in a rehabilitation facility. There are no identifiable transsexual characters or themes present in the movie's plot or character arcs, resulting in no depiction to evaluate under the provided rubric.
The movie does not contain any action or adventure elements.
28 Days is an original film with characters created specifically for this production. There are no pre-existing characters from source material, history, or prior installments whose gender could have been altered.
The film "28 Days" (2000) is an original story with characters created specifically for this production. There is no prior source material, historical figures, or previous installments from which character races were established. Therefore, no race swaps occurred.
Viewer Rating Breakdown
User Ratings
6.1
6.2
Critic Ratings
3.3
4.6
More Like This
Center
6.9
Private Parts
(1997)
Political: Leans Left
Diversity: Moderate
LGBTQ: Negative
Progressive
7.4
Jojo Rabbit
(2019)
Political: Strong Left
Diversity: Moderate
Center
8.0
A Real Pain
(2024)
Political: Center
Diversity: Moderate
Progressive
7.5
Torch Song Trilogy
(1988)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Center
7.1
The Singers
(2026)
Political: Center
Diversity: Moderate
Leans Traditional
6.8
My Dog Skip
(2000)
Political: Center
Diversity: Low
Leans Traditional
8.6
La La Land
(2016)
Political: Center
Diversity: Low
Leans Traditional
7.6
In Bruges
(2008)
Political: Center
Diversity: Low
Leans Traditional
8.4
Miracle on 34th Street
(1947)
Political: Center
Diversity: Low
Center
7.2
Gifted
(2017)
Political: Center
Diversity: Moderate
Leans Traditional
7.9
Big
(1988)
Political: Center
Diversity: Low
Leans Progressive
6.7
The Threesome
(2025)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Center
7.2
Stranger Than Fiction
(2006)
Political: Center
Diversity: Moderate
Progressive
7.7
Hairspray
(2007)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Traditional
6.6
Joshy
(2016)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.8
The Dressmaker from Paris
(1925)
Political: Center
Diversity: Low
Center
8.7
Foe Paws
(2000)
Political: Center
Diversity: Moderate
Leans Traditional
7.0
Hello, My Name Is Doris
(2015)
Political: Center
Diversity: Low
Leans Progressive
8.2
Are You There God? It's Me, Margaret.
(2023)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.6
Pleasantville
(1998)
Political: Strong Left
Diversity: Moderate