8.6
Viewer Rating
Combines user and critic ratings from four sources
Annie Hall (1977)
Annie Hall (1977)
Overview
New York comedian Alvy Singer falls in love with the ditsy Annie Hall.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
LGBTQ: Neutral
Judaism: Positive
Viewer Rating
8.6
Overview
New York comedian Alvy Singer falls in love with the ditsy Annie Hall.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central focus on the complexities of romantic relationships, individual neuroses, and the search for personal meaning in modern life is largely apolitical, offering a nuanced and observational perspective rather than advocating for specific left or right ideologies.
The film features a predominantly white cast, consistent with traditional casting practices of its time, and does not include explicit race or gender swaps of established roles. Its narrative centers on the experiences of its main characters without critically portraying traditional identities.
Secondary
The film contains a single, brief, and incidental mention of bisexuality through a self-deprecating joke by the main character, Alvy Singer. This line does not develop any LGBTQ+ characters or themes, nor does it offer substantial commentary. The overall portrayal is neutral due to its minimal and non-impactful nature.
The film portrays Judaism primarily as a cultural and ethnic identity through Alvy Singer. While it uses self-deprecating humor and stereotypes (neuroticism, family dynamics), it does so from an insider's perspective, lending depth and authenticity to Alvy's character without demeaning the culture.
Annie Hall, a romantic comedy from 1977, focuses on the relationship dynamics between its main characters. The film does not feature any identifiable transsexual characters or themes, therefore, the rubric's evaluation for portrayal is N/A.
The movie does not contain any action or adventure elements.
Annie Hall is an original film with characters created specifically for its screenplay. There are no pre-existing source materials, historical figures, or prior installments from which characters' genders could have been swapped.
Annie Hall is an original film from 1977, not an adaptation of pre-existing material or a biopic. All characters were created for this specific film, meaning there is no prior canonical or historical racial baseline to establish a race swap.
Viewer Rating Breakdown
User Ratings
7.9
7.7
Critic Ratings
9.7
9.2
More Like This
Leans Traditional
6.6
Café Society
(2016)
Political: Center
Diversity: Low
Traditional
8.3
Manhattan
(1979)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.0
Deconstructing Harry
(1997)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.5
Match Point
(2005)
Political: Center
Diversity: Low
Leans Traditional
8.1
Midnight in Paris
(2011)
Political: Center
Diversity: Low
Leans Traditional
8.4
Hannah and Her Sisters
(1986)
Political: Center
Diversity: Low
Leans Traditional
8.2
Broadway Danny Rose
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.8
Sabrina
(1954)
Political: Center
Diversity: Low
Leans Traditional
6.9
Quartet
(2012)
Political: Center
Diversity: Low
Leans Traditional
6.8
Something's Gotta Give
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.9
42nd Street
(1933)
Political: Center
Diversity: Low
Center
8.3
Moonrise Kingdom
(2012)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
8.0
Licorice Pizza
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.4
Lars and the Real Girl
(2007)
Political: Center
Diversity: Low
Traditional
8.2
The Quiet Man
(1952)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
Sleepless in Seattle
(1993)
Political: Center
Diversity: Low
Center
7.9
Breakfast at Tiffany's
(1961)
Political: Center
Diversity: Low
Leans Traditional
9.0
City Lights
(1931)
Political: Center
Diversity: Low
Leans Traditional
8.0
Juno
(2007)
Political: Center
Diversity: Low
Traditional
8.4
Meet Me in St. Louis
(1944)
Political: Leans Right
Diversity: Low