Viewer Rating
Combines user and critic ratings from four sources

'71 (2014)
'71 follows a young British soldier stranded and hunted through the streets of Belfast during the height of the Troubles, stripped of unit, orders, and any clean moral framework. The film earns a Leans Traditional label not through political advocacy but through what it quietly prioritizes: a lone soldier's survival, duty, and physical endurance as its central values. The narrative avoids DEI-driven casting or identity themes entirely, and its political framing is deliberately neutral, depicting violence and moral compromise across all factions without endorsing any side. The result is a grounded, traditionally coded war thriller whose cultural signals tilt conventional even as its worldview stays genuinely bleak.
'71 follows a young British soldier stranded and hunted through the streets of Belfast during the height of the Troubles, stripped of unit, orders, and any clean moral framework. The film earns a Leans Traditional label not through political advocacy but through what it quietly prioritizes: a lone soldier's survival, duty, and physical endurance as its central values. The narrative avoids DEI-driven casting or identity themes entirely, and its political framing is deliberately neutral, depicting violence and moral compromise across all factions without endorsing any side. The result is a grounded, traditionally coded war thriller whose cultural signals tilt conventional even as its worldview stays genuinely bleak.
The film immerses viewers in the brutal realities of the Troubles, depicting the moral ambiguities and the cycle of violence from all sides. It focuses on the dehumanizing impact of conflict on individuals, rather than endorsing a specific political stance or ideology.
The film employs traditional casting and a narrative that does not explicitly critique traditional identities or incorporate DEI-driven themes.
The film '71 centers on a soldier's struggle for survival amidst political conflict, with family structures and domestic life being largely peripheral to the narrative. The story does not offer a clear endorsement or critique of any particular family values.
The film portrays Christianity as a deeply divisive force, with sectarian identities (Protestant and Catholic) fueling brutal conflict and violence. Adherents on both sides commit acts of cruelty and oppression, using religious labels to justify their actions and dehumanize opponents. The narrative highlights how religious affiliation is exploited to perpetuate hatred and bloodshed, without offering counterbalancing positive portrayals of the faith's virtues within this context.
The film '71, a thriller set during The Troubles in Belfast, focuses on a British soldier's struggle for survival. The narrative does not include any identifiable LGBTQ+ characters or explore themes related to queer identity.
The film '71 does not feature any identifiable transsexual characters or themes. The narrative focuses entirely on a British soldier's struggle for survival during The Troubles in Belfast, with no elements related to transsexual identity or experiences present in the story.
The film '71 does not feature any scenes where a female character achieves victory in close-quarters physical combat against one or more male opponents. Female characters appear in the narrative, but they are not depicted engaging in direct physical confrontations or martial arts battles where they overcome male adversaries.
'71 is an original historical drama depicting a British soldier's experience during The Troubles. The film introduces new characters created specifically for its narrative. There are no instances where characters with a previously established gender from source material, prior adaptations, or historical record are portrayed as a different gender.
The film '71 introduces original characters within a historical setting. No characters are depicted as a different race from their established canonical or historical portrayal, as there is no prior source material or documented historical figures whose race has been altered. The narrative does not feature any instances of race swapping.
Combines user and critic ratings from four sources























