7.3
Viewer Rating
Combines user and critic ratings from four sources
The Courier (2020)
The Courier (2020)
Overview
Cold War spy Greville Wynne and his Russian source try to put an end to the Cuban Missile Crisis.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Viewer Rating
7.3
Overview
Cold War spy Greville Wynne and his Russian source try to put an end to the Cuban Missile Crisis.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's core narrative champions individual heroism and Western intelligence efforts as crucial in confronting a totalitarian threat and preventing global catastrophe, aligning with themes of national security and anti-communism.
The movie features a cast that is consistent with its historical setting and the real-life figures it portrays, without intentional race or gender swaps. The narrative focuses on the heroic actions of its protagonists, offering a neutral to positive portrayal of traditional identities without incorporating explicit DEI themes.
Secondary
The film 'The Courier' is a historical spy thriller centered on Cold War espionage. It does not feature any identifiable LGBTQ+ characters or themes, focusing instead on the heterosexual relationships and professional lives of its protagonists.
The film 'The Courier' is a historical spy thriller set during the Cold War. It does not feature any identifiable transsexual characters or themes, nor does its narrative engage with transgender identity or experiences in any capacity.
The movie does not contain any action or adventure elements.
The film is a historical drama based on real figures whose on-screen genders match their historical counterparts. The character Emily Donovan is an original creation for the film and thus does not constitute a gender swap.
The film is a historical drama based on real figures like Greville Wynne and Oleg Penkovsky. All major historical characters are portrayed by actors matching their documented race. Fictional characters introduced do not have a pre-established race, thus no race swap occurs.
Viewer Rating Breakdown
User Ratings
7.2
7.0
Critic Ratings
8.5
6.5
More Like This
Leans Traditional
7.1
Confessions of a Dangerous Mind
(2002)
Political: Center
Diversity: Low
Leans Traditional
8.2
Compulsion
(1959)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Traditional
7.3
Patriots Day
(2016)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
The Count of Monte Cristo
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.6
The Impossible
(2012)
Political: Center
Diversity: Low
Leans Traditional
6.8
Chappaquiddick
(2018)
Political: Center
Diversity: Low
Traditional
7.7
Braveheart
(1995)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.5
Match Point
(2005)
Political: Center
Diversity: Low
Leans Traditional
6.7
Natural Born Killers
(1994)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.1
Vanishing Point
(1971)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.2
The Deep End
(2001)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.7
Obsession
(1976)
Political: Center
Diversity: Low
Traditional
7.9
The Untouchables
(1987)
Political: Leans Right
Diversity: Low
Leans Traditional
8.5
Gravity
(2013)
Political: Center
Diversity: Low
Leans Traditional
8.1
Escape from Alcatraz
(1979)
Political: Center
Diversity: Low
Leans Traditional
7.9
A History of Violence
(2005)
Political: Center
Diversity: Low
Leans Traditional
7.6
Belfast
(2021)
Political: Center
Diversity: Low
Leans Traditional
7.3
Saving Mr. Banks
(2013)
Political: Center
Diversity: Low
Leans Traditional
6.7
Stillwater
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.4
Experimenter
(2015)
Political: Center
Diversity: Low