Viewer Rating
Combines user and critic ratings from four sources
Drama, Thriller, Mystery • 2022 • 121 min

A Japanese mystery-drama, directed by Kei Ishikawa and adapted from a novel by Keiichiro Hirano, follows a lawyer asked to uncover the true identity of a woman's deceased husband. The man lived under a borrowed name, and the investigation peels back questions about who we are when stripped of our origins. The Leans Progressive label fits because the film treats identity as fluid and socially constructed, sympathizing with people who abandon their assigned histories to escape painful pasts. That framing challenges the idea that fixed names and lineages define a person's worth. Family and traditional structures appear, but mainly as the backdrop against which these pressures play out, not as ideals the film endorses.
Satoshi Tsumabuki • Sakura Andô • Masataka Kubota
A Japanese mystery-drama, directed by Kei Ishikawa and adapted from a novel by Keiichiro Hirano, follows a lawyer asked to uncover the true identity of a woman's deceased husband. The man lived under a borrowed name, and the investigation peels back questions about who we are when stripped of our origins. The Leans Progressive label fits because the film treats identity as fluid and socially constructed, sympathizing with people who abandon their assigned histories to escape painful pasts. That framing challenges the idea that fixed names and lineages define a person's worth. Family and traditional structures appear, but mainly as the backdrop against which these pressures play out, not as ideals the film endorses.
Satoshi Tsumabuki • Sakura Andô • Masataka Kubota
The film's nuanced exploration of identity, challenging fixed societal labels and fostering empathy for individuals who navigate complex or assumed identities, aligns with progressive values of self-determination and questioning social constructs.
The film's casting reflects the diverse range of actors within its Japanese cultural context without explicitly recasting roles for DEI purposes. Its narrative explores universal themes of identity and belonging, maintaining a neutral or positive portrayal of traditional identities without centering on explicit DEI critiques.
The film portrays traditional nuclear family structures and gender roles as the default, exploring the profound impact of identity and deception within these established frameworks. While not explicitly celebrating traditional values, it doesn't critique them or offer progressive alternatives, relying on these norms for its dramatic tension.
The film 'A Man' does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on a lawyer investigating the true identity of a deceased man, exploring complex themes of identity, belonging, and the masks individuals wear, without incorporating queer perspectives or storylines into its plot.
The film 'A Man' explores themes of identity, memory, and the masks people wear, primarily through the lens of cisgender men who assume stolen identities to escape their pasts. The narrative focuses on a lawyer investigating a deceased man's true identity, revealing a complex web of social alienation and the desire for a new life. There are no identifiable transsexual characters or themes present in the story.
The movie does not contain any action or adventure elements.
The film is an adaptation of a novel, and all major characters maintain their established genders from the source material. There are no instances where a character canonically of one gender is portrayed as a different gender.
The film is a Japanese adaptation of a Japanese novel, featuring characters who are consistently portrayed as Japanese by Japanese actors. There is no indication of any character's race being altered from its source material.
Not depicted in the film.
Combines user and critic ratings from four sources























