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Combines user and critic ratings from four sources

Attack on Titan: THE LAST ATTACK (2024)
A colossal-sized omnibus film bringing together the last two episodes of Attack on Titan in the franchise's first-ever theatrical experience. After venturing beyond the walls and separated from his comrades, Eren finds himself inspired by this new truth and plots the "Rumbling," a terrifying plan to eradicate every living thing in the world. With the fate of the world hanging in the balance, a motley crew of Eren's former comrades and enemies scramble to halt his deadly mission. The only question is, can they stop him?
A colossal-sized omnibus film bringing together the last two episodes of Attack on Titan in the franchise's first-ever theatrical experience. After venturing beyond the walls and separated from his comrades, Eren finds himself inspired by this new truth and plots the "Rumbling," a terrifying plan to eradicate every living thing in the world. With the fate of the world hanging in the balance, a motley crew of Eren's former comrades and enemies scramble to halt his deadly mission. The only question is, can they stop him?
The film's dominant themes align with progressive values by critically exploring authoritarianism, nationalism, and systemic discrimination, portraying the tragic, cyclical nature of war and hatred from an anti-authoritarian perspective.
The movie explores complex themes of ethnic conflict, genocide, and the cyclical nature of violence, which resonate with discussions on systemic issues and historical trauma. While the narrative invites viewers to grapple with these profound issues, it does not explicitly promote DEI principles or feature DEI-driven casting in a direct or didactic manner. The film's approach is through a morally ambiguous story rather than explicit advocacy or representation initiatives.
The film portrays LGBTQ+ characters through nuanced queer-coding, emphasizing emotional depth, complex identities, and respectful relationships. Characters like Ymir, Historia, Levi, Erwin, and Hange contribute to positive visibility by challenging heteronormative norms within a survival-driven world, making their identities part of their complex humanity rather than the central plot focus.
The film features Mikasa Ackerman, a highly skilled soldier, who engages in and wins close-quarters physical combat using blades and ODM gear against multiple male opponents during a critical battle.
The film utilizes Christian motifs such as sacrifice, sin, redemption, and persecution to enrich its narrative. These themes are presented with gravity and depth, aligning the narrative with the dignity of these concepts and fostering audience sympathy for the persecuted, reflecting a positive engagement with Christian themes.
Judaism is referenced through the theme of persecution, likening the plight of Ymir's descendants to historical Jewish persecution. This narrative framing encourages sympathy for the victimized group, thereby affirming the historical experience and resilience associated with the Jewish faith.
Attack on Titan: THE LAST ATTACK does not explicitly feature transsexual characters or themes. The film's narrative focuses on the climactic events of the series, without delving into specific gender identity portrayals. While character interpretations exist within the broader series, the movie itself does not address or depict the transsexual community.
The character Hange Zoe is consistently presented as non-binary/gender-neutral in both the original source material and on-screen. Although English translations may use feminine pronouns, the character's core gender identity remains unchanged from its canonical non-binary status. No other characters exhibit a gender swap.
The animated characters in the film are visually depicted as European-like/Caucasian, consistent with their established appearance in the source material. While the voice actors are Japanese (East Asian), the on-screen visual portrayal of the characters' race remains unchanged from the source, thus not meeting the definition of a race swap.
Combines user and critic ratings from four sources























