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A Super Progressive Movie (2026)
Australian animated satirical comedy. When their rainbow malfunctions, four progressives journey from the urban 'Naarm' bubble into the outback, encountering Pauline Hanson and her supporters. Directed by Sebastian Peart, starring Pauline Hanson, Mark Nicholson, and Sebastian Peart as voice roles.
Australian animated satirical comedy. When their rainbow malfunctions, four progressives journey from the urban 'Naarm' bubble into the outback, encountering Pauline Hanson and her supporters. Directed by Sebastian Peart, starring Pauline Hanson, Mark Nicholson, and Sebastian Peart as voice roles.
The film's core conflict revolves around satirizing progressive politics, with its central thesis explicitly critiquing identity politics and social justice movements from a conservative perspective. This ideological framing determines the right-leaning bias.
The movie uses traditional casting dominated by white Australian voices without diverse representation or swaps. Its narrative satirizes progressive ideologies and DEI concepts like victimhood and virtue signaling, framing traditional identities as unfairly targeted in a mocked dystopia rather than critiquing them directly.
The movie's portrayal of LGBTQ+ elements relies on crude, underdeveloped satire that mocks identities through stereotypes and lazy humor, framing queer characters as objects of derision rather than subjects of respect. This net effect degrades rather than affirms, eliciting widespread criticism for insensitivity and lack of nuance.
Transgender characters are ridiculed through exaggerated stereotypes and unsubtle comedy that treats identity as a joke. A trans figure, depicted with hairy legs in a dress, ultimately detransitions to embrace traditional motherhood, framing trans life as misguided and resolvable through conformity.
The film presents minimal family content, with a peripheral subplot depicting an adoptive family where a police officer raises three Aboriginal children, portraying parental authority positively amid broader political satire. This limited focus on family structures without deeper endorsement or critique of norms results in a neutral rating.
The movie does not contain any action or adventure elements.
This original animated satire draws from a political cartoon series without altering genders of canonical or historical figures, featuring no instances of gender swaps in its character portrayals.
The film presents an original satirical narrative with newly created characters and no adaptations from source material, historical figures, or prior installments that establish canonical races. Cast portrayals align with the fictional setup without mismatches.
Combines user and critic ratings from four sources






















