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A Super Progressive Movie (2026)
When their rainbow malfunctions, four progressives journey beyond the insulated “Naarm Bubble” into a real world led by Prime Minister Pauline Hanson, searching for their ideology’s most powerful weapon: the Victimhood.
When their rainbow malfunctions, four progressives journey beyond the insulated “Naarm Bubble” into a real world led by Prime Minister Pauline Hanson, searching for their ideology’s most powerful weapon: the Victimhood.
The film's central thesis is an explicit, satirical critique of progressive ideology, 'woke politics,' and perceived elite disconnect, directly aligning its narrative and humor with conservative discourse.
This movie is a satire explicitly designed to critique progressive and 'woke' politics. Its narrative frames traditional identities positively, depicting straight white males as victims of 'woke' authorities, and actively mocks gender issues and marginalized group stereotypes. While diverse character types are present, they are utilized as objects of satire, aligning with a primarily traditional approach to representation.
While no explicit LGBTQ+ characters are identified, the film incorporates LGBTQ-related elements and 'gender issues' within a satirical framework that targets 'woke' ideology. This portrayal is widely perceived as negative, with critics and LGBTQ+ outlets describing it as mocking and problematic towards marginalized groups.
The film does not feature any identifiable transsexual characters or specific transsexual themes, according to the provided information. Despite mentions of 'gender issues' being mocked and a 'rainbow' element, there are no details to suggest the presence or portrayal of transsexual individuals or specific related themes. Therefore, the net impact is N/A due to no depiction.
The movie does not contain any action or adventure elements.
The film is an original animated satire based on a cartoon series without pre-existing canonical character genders. The provided information explicitly states no characters have on-screen genders differing from established source material or historical records, confirming no gender swaps.
The film features new original characters whose races are established within the film's own narrative, or a real person (Pauline Hanson) voicing an animated version of herself. There are no characters with a prior canonical or historical race that has been changed.
Combines user and critic ratings from four sources























