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Afterburn (2025)
Set against the backdrop of a postapocalyptic Earth whose Eastern Hemisphere was destroyed by a massive solar flare, leaving what life remains mutated from radiation and fallout. The story revolves around a group of treasure hunters who extract such objects as the Mona Lisa, the Rosetta Stone and the Crown Jewels while facing rival hunters, mutants and pirates.
Set against the backdrop of a postapocalyptic Earth whose Eastern Hemisphere was destroyed by a massive solar flare, leaving what life remains mutated from radiation and fallout. The story revolves around a group of treasure hunters who extract such objects as the Mona Lisa, the Rosetta Stone and the Crown Jewels while facing rival hunters, mutants and pirates.
The film's narrative centers on rebuilding a post-apocalyptic society by restoring order and preserving cultural heritage, aligning with conservative values of tradition and stability. The "King of England" character explicitly champions holding onto "masterpieces of human achievement" as essential for societal reconstruction.
The movie features a multinational cast with visible racial and ethnic diversity, though sources indicate casting was based on action archetypes rather than explicit DEI motivations or character race/gender swaps. The narrative focuses on a post-apocalyptic action plot, without incorporating DEI-related subplots, critiques of traditional identities, or social justice themes.
The film 'Afterburn, 2025' does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a heterosexual romance and post-apocalyptic action, with no mention of diverse sexual orientations or gender identities in plot summaries or character descriptions.
The film 'Afterburn, 2025' does not contain any identifiable transsexual characters or themes. Web searches, plot summaries, and reviews consistently indicate an absence of any depiction related to gender identity or transformation within the movie's narrative or character descriptions.
Based on the available information, no specific scenes are documented where a female character defeats one or more male opponents in direct physical combat. The only combat-related action attributed to a female character, Drea, involves sabotage (blowing up a bridge) rather than close-quarters physical confrontation.
The film *Afterburn* (2025) is based on a graphic novel. According to available information, no characters in the film have an on-screen gender that differs from their established gender in the source material.
The film is an adaptation of a graphic novel, but the provided information explicitly states that no character's ethnicity or appearance was established in the comic source. Therefore, no character's race could have been changed from a prior canon.
Combines user and critic ratings from four sources























