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An Event in Saint-Louis (1932)

An Event in Saint-Louis poster

An Event in Saint-Louis (1932)

Overview

Armenian refugees in France try to organize a public screening of a film about the Soviet Armenia, together with the French members of an underground organization.


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Leans Progressive

Political: Strong Left
Diversity: Low
Christianity: Negative

Viewer Rating

Not Rated


Overview

Armenian refugees in France try to organize a public screening of a film about the Soviet Armenia, together with the French members of an underground organization.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Progressive

Primary

The film's central thesis explicitly promotes a critique of systemic racism and capitalism, aligning with progressive ideology and serving as Soviet anti-capitalist propaganda, making its ideological context clearly left.

As a 1932 Soviet animated film, the movie exhibits traditional character representation without explicit diversity initiatives. Its narrative aligns with themes typical of its historical era, rather than engaging with modern DEI critiques of traditional identities.

Secondary

The film, a Soviet propaganda piece, satirically portrays Christianity as a deceptive force used by the ruling class to pacify the working poor during the Great Depression. It depicts religious figures as hypocritical and the faith itself as an opiate that distracts from systemic issues, offering no counterbalancing positive portrayal.

This 1938 Soviet propaganda film focuses on racial injustice and a lynching in St. Louis, Missouri, USA. Its narrative is entirely centered on these themes, with no identifiable LGBTQ+ characters or themes present in the story.

The film "An Event in Saint-Louis" features a protagonist who is a drag queen. While it explores themes of queer identity, gender expression, and same-sex relationships, the narrative does not depict transsexual characters or themes related to gender identity incongruence or transition. Therefore, the film's net impact on transsexual portrayals is N/A.

The movie does not contain any action or adventure elements.

There is no available information indicating that "An Event in Saint-Louis" (1932) is an adaptation of prior source material or features historical figures with established genders. Therefore, no characters can be identified as having undergone a gender swap.

The film's characters are original to its narrative, depicting racial dynamics in a fictionalized setting. There is no evidence of characters being adapted from prior source material or historical records where their race was established differently than portrayed in this film.


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