6.0
Viewer Rating
Combines user and critic ratings from four sources
Annabelle Comes Home (2019)
Annabelle Comes Home (2019)
Overview
Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens' ten-year-old daughter, Judy, and her friends.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Christianity: Positive
Viewer Rating
6.0
Overview
Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens' ten-year-old daughter, Judy, and her friends.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film is a supernatural horror story focused on apolitical themes of fear, survival, and the battle against evil. While it features faith-based elements inherent to its universe, these serve the horror narrative rather than promoting a specific political ideology.
The movie features a cast that includes some diversity, but it does not involve explicit recasting of traditionally white roles. Its narrative focuses on supernatural horror without critiquing traditional identities or making DEI themes central to the plot.
Secondary
The film consistently portrays Christianity, particularly Catholicism, as a powerful and necessary force against supernatural evil. The Warrens' deep faith and religious practices are depicted as their primary means of protection and their most effective weapon against demonic entities, aligning the narrative with the virtues of the faith.
The film 'Annabelle Comes Home' does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses exclusively on supernatural horror elements, with no depiction of queer identities or related storylines.
Annabelle Comes Home is a horror film focused on supernatural entities and haunted objects. There are no identifiable transsexual characters or themes present in the narrative. The film does not engage with transgender identity in any capacity.
The movie does not contain any action or adventure elements.
The film features established characters like Ed and Lorraine Warren, who are portrayed consistent with their historical and canonical genders. New characters introduced in this installment do not have prior canonical genders to be swapped. No instances of gender swapping are present.
The film features established characters like the Warrens and Judy, who are portrayed by actors matching their historical and prior cinematic depictions. New characters introduced in this installment do not have pre-established racial identities to be swapped from. Therefore, no race swap occurs.
Viewer Rating Breakdown
User Ratings
5.9
6.4
Critic Ratings
6.4
5.3
More Like This
Leans Traditional
6.8
No One Will Save You
(2023)
Political: Center
Diversity: Low
Center
7.6
Drag Me to Hell
(2009)
Political: Center
Diversity: Moderate
Traditional
7.3
The Black Phone
(2022)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
The Phantom of the Opera
(1925)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Return of the Living Dead
(1985)
Political: Center
Diversity: Low
Leans Traditional
7.6
Re-Animator
(1985)
Political: Center
Diversity: Low
Leans Progressive
7.8
Little Shop of Horrors
(1986)
Political: Leans Left
Diversity: Moderate
Leans Traditional
7.7
The Witches
(1990)
Political: Center
Diversity: Low
Leans Traditional
7.1
The House of the Devil
(2009)
Political: Center
Diversity: Low
Leans Progressive
7.1
Planet Terror
(2007)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Leans Traditional
7.3
Scream
(1996)
Political: Center
Diversity: Low
Leans Traditional
7.1
A Quiet Place: Day One
(2024)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.0
Basket Case
(1982)
Political: Center
Diversity: Low
Leans Traditional
6.6
Christine
(1983)
Political: Center
Diversity: Low
Progressive
6.8
Scream VI
(2023)
Political: Center
Diversity: High
LGBTQ: Positive
Leans Traditional
8.0
Cat People
(1942)
Political: Center
Diversity: Low
Progressive
7.5
Werewolf by Night
(2022)
Political: Leans Left
Diversity: High
Female Combat: Yes
Leans Traditional
7.7
Hush... Hush, Sweet Charlotte
(1964)
Political: Center
Diversity: Low
Progressive
8.4
Night of the Living Dead
(1968)
Political: Strong Left
Diversity: High
Leans Traditional
8.4
The Unknown
(1927)
Political: Center
Diversity: Low