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Atash Behram (1901)
A short film focusing on the renovation of a Parsi fire temple. It reflects Bhatavdekar's interest in documenting cultural and religious practices.
A short film focusing on the renovation of a Parsi fire temple. It reflects Bhatavdekar's interest in documenting cultural and religious practices.
The film's subject matter, Zoroastrian mythology and religious devotion, is inherently apolitical in the context of modern US political discourse, leading to a neutral rating due to the absence of discernible political messaging.
As an early Indian film, 'Atash Behram' features a cast of Indian actors, which does not involve the recasting of traditionally white roles. The narrative is expected to focus on its cultural or religious context without explicit critiques of traditional Western identities or modern DEI themes.
As an early 20th-century documentary short depicting a religious ritual, 'Atash Behram' does not present any identifiable LGBTQ+ characters or themes. The film's focus is solely on documenting the Parsi fire temple ceremony, thus rendering the concept of LGBTQ+ portrayal inapplicable.
Atash Behram is a 1902 Indian silent documentary depicting a Parsi religious ceremony. Based on available information, the film does not feature any identifiable transsexual characters or themes.
The movie does not contain any action or adventure elements.
Atash Behram (1901) is an early short film/actualité, not an adaptation of source material with established characters or a narrative featuring historical figures. There is no evidence of characters with pre-defined genders being portrayed differently.
Atash Behram (1901) is an early silent film, often described as a documentary or actualité depicting wrestlers. It does not feature named characters with established canonical or historical racial identities from source material, making a race swap impossible under the given definition.
Combines user and critic ratings from four sources


















