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Combines user and critic ratings from four sources

Ave María (1999)
In the colonial New Spain Ana is a missionary who decides to support the indigenous people.
In the colonial New Spain Ana is a missionary who decides to support the indigenous people.
The film's central subject matter revolves around personal drama, dreams, and relationships, which inherently lack a strong political valence. The narrative focuses on individual perseverance and relational support as solutions to personal challenges, rather than advocating for specific political ideologies or systemic changes, resulting in a neutral rating.
The movie features a cast that naturally reflects its Mexican setting, providing visible diversity without explicit race or gender swaps of traditionally white roles. Its narrative explores social issues and character struggles, offering an implicit look at societal challenges rather than an explicit critique of traditional identities or a central DEI theme.
The film "Ave María" sensitively portrays a transsexual woman, Ave María, with dignity and complexity. The narrative focuses on the protagonist's journey to accept his love for her, framing societal prejudice and internal struggles as the primary obstacles. Despite potential tragedy, the film's overall stance is empathetic, affirming the worth of transsexual lives and love.
The film, titled after a central Catholic prayer, explores themes of faith, miracles, and devotion within a Mexican context. It portrays Christianity with respect, focusing on its capacity to offer hope and meaning, aligning the narrative with the dignity of the faith.
The film 'Ave María' by Eduardo Rossoff does not feature identifiable LGBTQ+ characters or themes. Based on available plot summaries and reviews, there is no depiction of queer identity or related storylines, resulting in a net impact of N/A.
The movie does not contain any action or adventure elements.
There is no indication that "Ave María" (1999) is an adaptation of prior source material or a biopic of historical figures. Therefore, no characters exist whose gender was established before this film's creation, precluding a gender swap.
There is no widely established prior canon or historical source material for the 1999 film "Ave María" to indicate that any character was canonically or historically established as a specific race before this adaptation. Therefore, no race swaps can be identified.
Combines user and critic ratings from four sources























