8.8
Viewer Rating
Combines user and critic ratings from four sources
Bicycle Thieves (1948)
Bicycle Thieves (1948)
Overview
Unemployed Antonio is elated when he finally finds work hanging posters around war-torn Rome. However on his first day, his bicycle—essential to his work—gets stolen. His job is doomed unless he can find the thief. With the help of his son, Antonio combs the city, becoming desperate for justice.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Strong Left
Diversity: Low
Christianity: Positive
Viewer Rating
8.8
Overview
Unemployed Antonio is elated when he finally finds work hanging posters around war-torn Rome. However on his first day, his bicycle—essential to his work—gets stolen. His job is doomed unless he can find the thief. With the help of his son, Antonio combs the city, becoming desperate for justice.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly critiques the systemic poverty and unemployment of post-war Italy, highlighting how these conditions strip individuals of dignity and force them into desperation, aligning with progressive ideology's focus on societal failures.
The film 'Bicycle Thieves' features a cast that is traditional for its setting and era, primarily depicting white Italian characters without intentional diversity-driven casting. Its narrative focuses on the socio-economic struggles of its protagonists in post-war Italy, without engaging in critiques of traditional identities or incorporating explicit DEI themes.
Secondary
The film portrays a church providing food and community to the poor, highlighting its role as a charitable institution. While it doesn't offer a solution to the protagonist's specific plight, its function in a struggling society is depicted with respect and sympathy, without cynicism or critique.
Bicycle Thieves is a classic Italian neorealist film centered on the economic hardships of a father and son in post-WWII Rome. The story follows their desperate search for a stolen bicycle, exploring themes of poverty and survival. The film does not feature any identifiable LGBTQ+ characters or themes within its narrative.
Bicycle Thieves is a classic Italian neorealist film centered on a father and son's desperate search for a stolen bicycle. The narrative is exclusively focused on themes of poverty, unemployment, and the struggle for survival in post-war Italy. There are no identifiable transsexual characters or themes present in the film's plot or character arcs.
The movie does not contain any action or adventure elements.
Bicycle Thieves is an original film with characters created specifically for its narrative. There is no prior source material, historical figures, or previous installments from which characters' genders could have been established differently and then altered.
Bicycle Thieves is an original film from 1948, not an adaptation of existing source material with established character races, nor a biopic of historical figures. Therefore, the concept of a race swap does not apply.
Viewer Rating Breakdown
User Ratings
8.2
8.2
Critic Ratings
9.9
N/A
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