6.6
Viewer Rating
Combines user and critic ratings from four sources
Aztec Batman: Clash of Empires (2025)
Aztec Batman: Clash of Empires (2025)
Overview
In the time of the Aztec empire, tragedy strikes Yohualli Coatl when his father is murdered by Spanish conquistadors. To warn King Moctezuma and his high priest, Yoka, of imminent danger, Yohualli escapes to Tenochtitlán. There, he trains in the temple of the bat god Tzinacan with his mentor, developing equipment and weaponry to confront the Spanish invasion and avenge his father’s death. Along the way, he encounters key figures like the fierce Jaguar Woman and the conquistador Hernán Cortés.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Strong Left
Diversity: High
Female Combat: Yes
Christianity: Negative
Viewer Rating
6.6
Overview
In the time of the Aztec empire, tragedy strikes Yohualli Coatl when his father is murdered by Spanish conquistadors. To warn King Moctezuma and his high priest, Yoka, of imminent danger, Yohualli escapes to Tenochtitlán. There, he trains in the temple of the bat god Tzinacan with his mentor, developing equipment and weaponry to confront the Spanish invasion and avenge his father’s death. Along the way, he encounters key figures like the fierce Jaguar Woman and the conquistador Hernán Cortés.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central thesis explicitly promotes an anti-colonial and anti-imperialist ideology, framed through indigenous resistance and cultural pride, directly aligning with progressive critiques of historical power structures.
The movie reimagines the iconic Batman character within Aztec culture, centering Indigenous and Latino perspectives with a Mexican director and Latino voice cast. Its narrative explicitly addresses themes of Indigenous resistance against colonial forces, promoting cultural pride and historical awareness.
Secondary
Jaguar Woman, a skilled warrior, is depicted in multiple scenes engaging in and winning close-quarters physical combat against male Spanish conquistadors and other male opponents using traditional Aztec weapons and hand-to-hand techniques.
The film portrays Christianity through the Spanish conquistadors, associating it with colonization, violence, greed, and cultural destruction. It is framed as an imperial force and a tool of conquest, without exploring its spiritual teachings or positive dimensions.
The film *Aztec Batman: Clash of Empires* does not depict or explore LGBTQ+ characters or themes within its narrative. The story centers on Aztec culture, resistance against colonization, and mythological elements, with no indication of LGBTQ+ representation in its plot or character development.
Aztec Batman: Clash of Empires does not feature any explicit transsexual characters or themes. The narrative centers on Aztec culture, historical conflict, and the reimagining of Batman within a 16th-century Mesoamerican context, with no indication of transsexual representation or related discourse in its plot or character arcs.
The film explicitly states that no characters' on-screen gender differs from their established gender in the source material or historical record, including main and historical figures.
The film's casting aligns with the historical and cultural context of its Aztec and Spanish characters. Actors of Mexican/Latino descent portray Aztec roles, and Spanish actors portray Spanish conquistadors, supporting ethnic and phenotypical authenticity as established within this specific adaptation.
Viewer Rating Breakdown
User Ratings
5.4
7.8
Critic Ratings
N/A
N/A
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