4.4
Viewer Rating
Combines user and critic ratings from four sources
Aztec Batman: Clash of Empires (2025)
Aztec Batman: Clash of Empires (2025)
Overview
In the time of the Aztec empire, tragedy strikes Yohualli Coatl when his father is murdered by Spanish conquistadors. To warn King Moctezuma and his high priest, Yoka, of imminent danger, Yohualli escapes to Tenochtitlán. There, he trains in the temple of the bat god Tzinacan with his mentor, developing equipment and weaponry to confront the Spanish invasion and avenge his father’s death. Along the way, he encounters key figures like the fierce Jaguar Woman and the conquistador Hernán Cortés.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Strong Left
Diversity: High
Female Combat: Yes
Christianity: Negative
Viewer Rating
4.4
Overview
In the time of the Aztec empire, tragedy strikes Yohualli Coatl when his father is murdered by Spanish conquistadors. To warn King Moctezuma and his high priest, Yoka, of imminent danger, Yohualli escapes to Tenochtitlán. There, he trains in the temple of the bat god Tzinacan with his mentor, developing equipment and weaponry to confront the Spanish invasion and avenge his father’s death. Along the way, he encounters key figures like the fierce Jaguar Woman and the conquistador Hernán Cortés.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central thesis explicitly promotes an anti-colonial and anti-imperialist ideology, framed through indigenous resistance and cultural pride, directly aligning with progressive critiques of historical power structures.
The movie reimagines the iconic Batman character within Aztec culture, centering Indigenous and Latino perspectives with a Mexican director and Latino voice cast. Its narrative explicitly addresses themes of Indigenous resistance against colonial forces, promoting cultural pride and historical awareness.
Secondary
Jaguar Woman, a skilled warrior, is depicted in multiple scenes engaging in and winning close-quarters physical combat against male Spanish conquistadors and other male opponents using traditional Aztec weapons and hand-to-hand techniques.
The film portrays Christianity indirectly through the Spanish conquistadors, who are depicted as cruel, antagonistic invaders disrupting the Aztec world. The narrative associates Christianity with the forces of oppression and tragedy, without exploring its spiritual depth or offering counterbalancing positive portrayals.
The film *Aztec Batman: Clash of Empires* does not depict or explore LGBTQ+ characters or themes within its narrative. The story centers on Aztec culture, resistance against colonization, and mythological elements, with no indication of LGBTQ+ representation in its plot or character development.
Based on available information, the film 'Aztec Batman: Clash of Empires' does not have any identifiable transsexual characters or themes. There are no credible sources detailing such portrayals within the movie's content, leading to an N/A rating for its impact on transsexual representation.
The film explicitly states that no characters' on-screen gender differs from their established gender in the source material or historical record, including main and historical figures.
The film reimagines Batman and Joker as new characters, Yohualli Coatl and Yoka, within an Aztec setting, with their race defined as indigenous Mesoamerican by the film's premise. Historical figures like Hernán Cortés are cast with actors matching their documented race. No canonically or historically established characters are portrayed as a different race.
Viewer Rating Breakdown
User Ratings
5.3
7.9
Critic Ratings
N/A
N/A
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