6.8
Viewer Rating
Combines user and critic ratings from four sources
Fate/Grand Order Final Singularity – Grand Temple of Time: Solomon (2021)
Fate/Grand Order Final Singularity – Grand Temple of Time: Solomon (2021)
Overview
After battling their way through all seven Singularities, the Chaldea Security Organization has finally arrived at the endpoint of the Grand Order: The Final Singularity, Grand Temple of Time: Solomon. Now is the time to defeat the root of all evil, Solomon, the King of Mages. Now is the time to reclaim the future. With the final operation looming large, Romani Archaman considers the choices he will soon have to make, Mash Kyrielight dwells on life's limitations, and Fujimaru prepares to receive a new Mystic Code. All their many encounters have led to this moment as Fujimaru and Mash at last embark on their final operation...
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Center
Diversity: Moderate
Female Combat: Yes
Gender Swap: Yes
Christianity: Positive
Islam: Positive
Judaism: Positive
Viewer Rating
6.8
Overview
After battling their way through all seven Singularities, the Chaldea Security Organization has finally arrived at the endpoint of the Grand Order: The Final Singularity, Grand Temple of Time: Solomon. Now is the time to defeat the root of all evil, Solomon, the King of Mages. Now is the time to reclaim the future. With the final operation looming large, Romani Archaman considers the choices he will soon have to make, Mash Kyrielight dwells on life's limitations, and Fujimaru prepares to receive a new Mystic Code. All their many encounters have led to this moment as Fujimaru and Mash at last embark on their final operation...
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central conflict revolves around an existential threat to humanity and its history, championing the inherent value of human struggle and collective effort without promoting specific political ideologies or critiquing societal structures from a partisan viewpoint.
The movie showcases a diverse ensemble of characters originating from various global histories and mythologies, consistent with the foundational design of its source material. Its narrative is centered on a heroic fantasy conflict, without explicitly critiquing traditional identities or emphasizing modern DEI themes.
Secondary
The film features several female Servants who engage in direct physical combat against male-coded demonic entities and Demon God Pillars. Characters such as Mash Kyrielight and Quetzalcoatl are shown using melee weapons or hand-to-hand techniques to achieve victories against multiple opponents through physical contests, despite possessing superhuman abilities.
The film, an adaptation from the Fate/Grand Order game, features multiple characters (Servants) whose on-screen genders differ from their widely established historical or mythological genders, such as King Arthur and Francis Drake.
The film centers on King Solomon, a revered figure in Abrahamic traditions, portraying him as a being of immense wisdom and self-sacrifice for humanity. His actions and ultimate fate are depicted heroically, aligning the narrative with virtues associated with his religious significance and affirming the dignity of such a figure.
The film centers on King Solomon, a revered figure in Abrahamic traditions, portraying him as a being of immense wisdom and self-sacrifice for humanity. His actions and ultimate fate are depicted heroically, aligning the narrative with virtues associated with his religious significance and affirming the dignity of such a figure.
The film centers on King Solomon, a revered figure in Abrahamic traditions, portraying him as a being of immense wisdom and self-sacrifice for humanity. His actions and ultimate fate are depicted heroically, aligning the narrative with virtues associated with his religious significance and affirming the dignity of such a figure.
The film does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a climactic battle to save humanity, with no explicit exploration of queer identities, relationships, or related societal issues within its plot or character arcs.
The film does not feature any identifiable transsexual characters or themes. Its narrative is solely dedicated to the climactic battle against the antagonist, with no exploration of gender identity or transition.
The film adapts characters directly from the "Fate/Grand Order" game, which, while reinterpreting historical and mythological figures, maintains their established racial or ethnic origins. No characters canonically or historically established as one race are portrayed as a different race in this adaptation.
Viewer Rating Breakdown
User Ratings
6.6
6.9
Critic Ratings
N/A
N/A
More Like This
Center
6.9
Afro Samurai: Resurrection
(2009)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
7.4
Inuyasha the Movie: Affections Touching Across Time
(2001)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
7.5
Inuyasha the Movie 2: The Castle Beyond the Looking Glass
(2002)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
8.3
Castle in the Sky
(1986)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.7
Fate/Grand Order: Divine Realm of the Round Table - Camelot Wandering; Agateram
(2020)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Center
7.6
One Piece Film: Z
(2012)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
8.4
Nausicaä of the Valley of the Wind
(1984)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Leans Progressive
8.4
Howl's Moving Castle
(2004)
Political: Leans Left
Diversity: Moderate
Center
7.4
One Piece Film: Strong World
(2009)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
7.7
Pom Poko
(1994)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.0
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack
(2001)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.5
Cardcaptor Sakura: The Movie
(1999)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Center
7.7
Inuyasha the Movie 3: Swords of an Honorable Ruler
(2003)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
6.7
Pokémon: Arceus and the Jewel of Life
(2009)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.3
Fullmetal Alchemist the Movie: Conqueror of Shamballa
(2005)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Center
6.7
Wicked City
(1987)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
7.2
Godzilla: Tokyo S.O.S.
(2003)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.4
The Boy and the Heron
(2023)
Political: Strong Left
Diversity: Moderate
Center
7.5
Kamen Rider: Beyond Generations
(2021)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
8.4
Princess Mononoke
(1997)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes