Leans Traditional
6.9
Dog
(2022)
Political: Leans Right
Diversity: Moderate
Back Home and Broke (1922)
Back Home and Broke (1922)
Overview
When Tom Redding's wealthy father dies and it turns out that all he left Tom was a mountain of debts, all of his "friends" desert him--except young Mary Austin. Determined to get out from all his debt, Tom heads west and eventually strikes it rich with an oil well. Now wealthy, he hatches a plan to get even with his "friends" in his hometown--by pretending to return home broke but having a colleague secretly buy up as much property in town as he can.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
When Tom Redding's wealthy father dies and it turns out that all he left Tom was a mountain of debts, all of his "friends" desert him--except young Mary Austin. Determined to get out from all his debt, Tom heads west and eventually strikes it rich with an oil well. Now wealthy, he hatches a plan to get even with his "friends" in his hometown--by pretending to return home broke but having a colleague secretly buy up as much property in town as he can.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's narrative centers on a wealthy man proving his worth beyond his fortune to win love, emphasizing individual character and romantic triumph over superficial judgments rather than engaging with political ideologies.
This 1922 film reflects the cinematic norms of its era, featuring traditional casting without intentional diversity-driven choices. Its narrative maintains a neutral or positive framing of traditional identities, consistent with the period's storytelling conventions.
Secondary
The film "Back Home and Broke" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on a man's journey to prove his worth after inheriting money, without any elements related to queer identity or experiences, resulting in a net impact of N/A.
The film 'Back Home and Broke' does not contain any discernible transsexual characters or themes within its narrative, focusing instead on a young man's journey after disinheritance. Consequently, there is no portrayal to evaluate.
The movie does not contain any action or adventure elements.
There is no evidence to suggest that "Back Home and Broke" (1922) features any characters who were canonically, historically, or widely established as one gender and then portrayed as another. The film is a silent comedy from an era where such character reinterpretations were not common practice for adaptations.
The 1922 film "Back Home and Broke" is an adaptation of a play. There is no historical or canonical evidence suggesting that any character from the source material was established as one race and then portrayed as a different race in this film.
More Like This
Leans Traditional
8.0
Licorice Pizza
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
8.2
Forrest Gump
(1994)
Political: Leans Right
Diversity: Low
Traditional
6.8
Death at a Funeral
(2007)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.1
Confessions of a Dangerous Mind
(2002)
Political: Center
Diversity: Low
Traditional
8.2
The Quiet Man
(1952)
Political: Leans Right
Diversity: Low
Leans Traditional
8.1
The Station Agent
(2003)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.7
Mrs. Doubtfire
(1993)
Political: Center
Diversity: Low
Leans Traditional
8.1
Adaptation.
(2002)
Political: Center
Diversity: Low
Traditional
7.8
About Schmidt
(2002)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
0.0
Our Leading Citizen
(1922)
Political: Center
Diversity: Low
Leans Traditional
7.7
The Breakfast Club
(1985)
Political: Center
Diversity: Low
Leans Traditional
6.9
In Good Company
(2004)
Political: Center
Diversity: Low
Leans Traditional
8.3
American Splendor
(2003)
Political: Center
Diversity: Low
Leans Traditional
8.8
The Apartment
(1960)
Political: Center
Diversity: Low
Traditional
7.9
Mr. Smith Goes to Washington
(1939)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
Deconstructing Harry
(1997)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.7
Knocked Up
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.5
The War of the Roses
(1989)
Political: Center
Diversity: Low
Leans Traditional
7.0
Hail, Caesar!
(2016)
Political: Center
Diversity: Low
LGBTQ: Neutral