Traditional
8.4
Meet Me in St. Louis
(1944)
Political: Leans Right
Diversity: Low
Too Much Wife (1922)
Too Much Wife (1922)
Overview
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The political bias of 'Too Much Wife' cannot be assessed as no plot details, thematic elements, or content information were provided for analysis.
This early 20th-century film features traditional casting with no evidence of intentional diversity initiatives. Its narrative maintains a neutral or positive portrayal of traditional identities, consistent with the filmmaking practices of its era.
Secondary
The provided input for 'Too Much Wife' contains no details about its plot, characters, or themes. Consequently, there is no basis to evaluate any LGBTQ+ portrayal, leading to a determination of N/A for this film.
The film "Too Much Wife" (1922) is a silent comedy that does not feature any identifiable transsexual characters or themes. The narrative focuses on conventional romantic and marital situations, with no elements related to gender identity or transition. Therefore, there is no portrayal to evaluate.
The movie does not contain any action or adventure elements.
The film "Too Much Wife" (1922) is an original production, not an adaptation of pre-existing material. All characters are new creations for this film, meaning there are no prior established canonical or historical genders to be swapped.
The film "Too Much Wife" (1922) is an early 20th-century production. There is no indication it is an adaptation of source material with canonically established character races that were subsequently altered, nor is it a biopic or reboot. Thus, it does not contain a race swap.
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