Leans Traditional
6.6
Joshy
(2016)
Political: Center
Diversity: Low
LGBTQ: Neutral
Too Much Wife (1922)
Too Much Wife (1922)
Overview
Myra Coningsby, a newlywed who is determined not to be a submissive wife but ultimately learns to find a balance in her marriage after a dramatic incident involving a faked drowning.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Viewer Rating
Not Rated
Overview
Myra Coningsby, a newlywed who is determined not to be a submissive wife but ultimately learns to find a balance in her marriage after a dramatic incident involving a faked drowning.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
Based solely on its title, "Too Much Wife" frames a wife's perceived assertiveness or deviation from traditional roles as the central problem, suggesting a narrative that likely reinforces conservative gender expectations in marriage.
This early 20th-century film features traditional casting with no evidence of intentional diversity initiatives. Its narrative maintains a neutral or positive portrayal of traditional identities, consistent with the filmmaking practices of its era.
Secondary
The provided input for 'Too Much Wife' contains no details about its plot, characters, or themes. Consequently, there is no basis to evaluate any LGBTQ+ portrayal, leading to a determination of N/A for this film.
The film "Too Much Wife" (1922) is a silent comedy that does not feature any identifiable transsexual characters or themes. The narrative focuses on conventional romantic and marital situations, with no elements related to gender identity or transition. Therefore, there is no portrayal to evaluate.
The movie does not contain any action or adventure elements.
The film "Too Much Wife" (1922) is an original production, not an adaptation of pre-existing material. All characters are new creations for this film, meaning there are no prior established canonical or historical genders to be swapped.
The film "Too Much Wife" (1922) is an early 20th-century production. There is no indication it is an adaptation of source material with canonically established character races that were subsequently altered, nor is it a biopic or reboot. Thus, it does not contain a race swap.
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