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Bad Man (2025)
In Colt Lake, Tennessee, Sam Evans tackles a meth epidemic. He is side-lined on arrival of Bobby Gaines, an undercover agent. Despite Evans' local ties, Gaines is hailed as hero. Suspicions arise on Gaines which unravels a complex narrative.
In Colt Lake, Tennessee, Sam Evans tackles a meth epidemic. He is side-lined on arrival of Bobby Gaines, an undercover agent. Despite Evans' local ties, Gaines is hailed as hero. Suspicions arise on Gaines which unravels a complex narrative.
The film's political messaging is ambiguous and contradictory, reflecting current U.S. cultural tensions and resisting simple categorization into left or right, thus earning a neutral rating.
The film features visible diversity in its cast, including characters played by Filipino and Black actors. However, the narrative is noted for its misogynistic elements, 'bro humor,' and a politically incorrect tone. While it attempts to address racism, this is undermined by contradictory and insensitive commentary, indicating a superficial or problematic engagement with DEI themes rather than a critical examination of traditional identities.
The film portrays Chief Sandy as a "Jesus-loving" character whose faith positively influences his moral conduct and leadership, giving him a "fatherly, shepherd type vibe." This suggests an affirming portrayal of Christianity, aligning with the virtues of the faith through a sympathetic character.
Bad Man (2025) does not feature LGBTQ+ characters or themes within its narrative. The film focuses on crime, action, and the moral dilemmas of its male protagonists in a small town, with no identifiable LGBTQ+ representation or portrayal mentioned in its plot or thematic content.
Based on available plot summaries and character details, Bad Man (2025) does not feature transsexual characters or explore themes of gender identity or transformation. The narrative focuses on crime, morality, and masculinity in a small town, with no identifiable transgender representation in its story or cast.
Based on available information, there are no documented scenes in the film where a female character defeats one or more male opponents in direct physical combat. The provided details do not describe any female characters engaging in such confrontations.
Bad Man is an original film without prior source material or historical characters. Therefore, no characters have a pre-established canonical gender to compare against their on-screen portrayal, meaning no gender swaps occur.
The film features original characters whose on-screen racial portrayals align with their established backgrounds within the film's narrative. There is no indication of prior source material or legacy characters whose race was changed.
Combines user and critic ratings from four sources























