5.6
Viewer Rating
Combines user and critic ratings from four sources
Black Mama, White Mama (1973)
Black Mama, White Mama (1973)
Overview
When two troublemaking female prisoners (one a revolutionary, the other a former harem-girl) can't seem to get along, they are chained together and extradited for safekeeping. The women, still chained together, stumble, stab, and cat-fight their way across the wilderness, igniting a bloody shootout between gangsters and a group of revolutionaries.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Leans Left
Diversity: High
Female Combat: Yes
Viewer Rating
5.6
Overview
When two troublemaking female prisoners (one a revolutionary, the other a former harem-girl) can't seem to get along, they are chained together and extradited for safekeeping. The women, still chained together, stumble, stab, and cat-fight their way across the wilderness, igniting a bloody shootout between gangsters and a group of revolutionaries.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film leans left due to its central critique of corrupt authority and focus on marginalized women seeking freedom from an oppressive system, aligning with anti-establishment and social justice themes.
The movie features prominent and intentional diverse casting with a Black and a White woman as co-leads, a dynamic central to its premise. However, its narrative primarily focuses on action and escape, with male antagonists typical of the genre, rather than offering an explicit or central critique of traditional identities or deep DEI themes.
Secondary
The film features female protagonists Lee Daniels and Karen Brent, who, while chained together, engage in and win multiple close-quarters physical fights against male opponents, including prison guards and gang members. They utilize their combined strength and the chain as a melee weapon to overcome their adversaries.
The film "Black Mama, White Mama" does not feature identifiable LGBTQ+ characters or themes. Its narrative primarily focuses on two escaped female convicts, exploring themes of race, freedom, and survival within an exploitation framework, without engaging with queer identity.
The film "Black Mama, White Mama" does not contain any identifiable transsexual characters or themes. The narrative focuses on two cisgender female protagonists and their escape from prison, with no elements related to transgender identity or experiences.
Black Mama, White Mama is an original film from 1973. It is not an adaptation, biopic, or reboot of pre-existing characters. Therefore, no characters were established as a different gender in prior canon or history, and no gender swaps occur.
This 1973 film is an original production, not an adaptation of pre-existing material or a biopic. Its characters were created for this specific movie, meaning there is no prior canonical or historical racial establishment to be altered. Therefore, no race swaps occurred.
Viewer Rating Breakdown
User Ratings
5.6
5.3
Critic Ratings
N/A
5.9
More Like This
Leans Progressive
7.5
Jackie Brown
(1997)
Political: Center
Diversity: High
Progressive
6.9
Coffy
(1973)
Political: Leans Left
Diversity: High
Female Combat: Yes
Leans Progressive
7.1
The Big Doll House
(1971)
Political: Leans Left
Diversity: High
LGBTQ: Negative
Female Combat: Yes
Leans Progressive
6.8
Bound by Honor
(1993)
Political: Leans Left
Diversity: High
LGBTQ: Negative
Leans Progressive
7.0
The Mighty Quinn
(1989)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.5
Training Day
(2001)
Political: Leans Left
Diversity: Moderate
Progressive
7.1
Blood Diamond
(2006)
Political: Strong Left
Diversity: High
Leans Progressive
8.3
The Bourne Ultimatum
(2007)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.4
Lethal Weapon 2
(1989)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.1
Traffic
(2000)
Political: Leans Left
Diversity: Moderate
Progressive
7.1
Shaft
(1971)
Political: Leans Left
Diversity: High
Leans Progressive
7.0
American Psycho
(2000)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Progressive
8.2
Thelma & Louise
(1991)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Progressive
7.2
Super Fly
(1972)
Political: Leans Left
Diversity: High
Leans Progressive
7.8
Inside Man
(2006)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.8
Menace II Society
(1993)
Political: Strong Left
Diversity: Moderate
Leans Progressive
6.9
I Care a Lot
(2021)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Center
8.1
John Wick: Chapter 4
(2023)
Political: Center
Diversity: Moderate
Female Combat: Yes
Progressive
6.7
Faster, Pussycat! Kill! Kill!
(1965)
Political: Leans Left
Diversity: High
Female Combat: Yes
Center
6.9
Ballerina
(2025)
Political: Center
Diversity: Moderate
Female Combat: Yes