5.1
Viewer Rating
Combines user and critic ratings from four sources
Bowery at Midnight (1942)
Bowery at Midnight (1942)
Overview
A seemingly charitable soup kitchen operator (who moonlights as a criminology professor) uses his Bowery mission as a front for his criminal gang. Police attempt to close in on the gang as they commit a series of robberies, murders and bizarre experiments on corpses.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Negative
Viewer Rating
5.1
Overview
A seemingly charitable soup kitchen operator (who moonlights as a criminology professor) uses his Bowery mission as a front for his criminal gang. Police attempt to close in on the gang as they commit a series of robberies, murders and bizarre experiments on corpses.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a classic horror/mystery focusing on a serial killer and the supernatural consequences of his actions. Its narrative is driven by individual madness and suspense, rather than exploring social or political themes, leading to a neutral rating.
This 1942 film features traditional casting with no apparent intentional diversity-driven choices. The narrative does not appear to critique traditional identities or incorporate explicit DEI themes, aligning with typical cinematic practices of its era.
Secondary
The film portrays a Christian-aligned mission as a front for the villain's murderous activities, exposing the profound hypocrisy of its leader. The institution is depicted as corrupted and exploited for evil, rather than upholding its charitable purpose.
Bowery at Midnight (1942) does not include any discernible LGBTQ+ characters or themes. The film's narrative focuses on a professor's secret life as a serial killer and his zombie victims, with no elements related to queer identity.
The film 'Bowery at Midnight' from 1942 does not feature any identifiable transsexual characters or themes. Its narrative, typical of its era and genre, focuses on a professor leading a double life as a criminal, with no elements suggesting a portrayal of transgender identity. Therefore, the net impact on transsexual representation is N/A.
The film does not depict any female characters engaging in or winning direct physical combat against one or more male opponents. Female characters are not shown in significant action roles that involve hand-to-hand or melee weapon combat.
There is no information provided to suggest that "Bowery at Midnight" is an adaptation of source material with pre-established characters or based on historical figures. Therefore, no characters are identified as having a canonical gender that could be swapped.
Bowery at Midnight is an original film from 1942, not an adaptation of pre-existing material or a biopic. Consequently, its characters do not have a prior canonical or historically established race to be swapped from.
Viewer Rating Breakdown
User Ratings
5.3
5.0
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
6.8
Point Break
(1991)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Getaway
(1972)
Political: Center
Diversity: Low
Center
7.9
Batman Begins
(2005)
Political: Leans Right
Diversity: Moderate
Traditional
8.2
Dirty Harry
(1971)
Political: Strong Right
Diversity: Low
Leans Traditional
6.9
The Driver
(1978)
Political: Center
Diversity: Low
Leans Traditional
6.9
Emil and the Detectives
(1964)
Political: Center
Diversity: Low
Traditional
8.1
Bullitt
(1968)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
Batman
(1989)
Political: Leans Right
Diversity: Low
Leans Traditional
8.1
Heat
(1995)
Political: Center
Diversity: Low
Leans Traditional
6.8
Fast & Furious 6
(2013)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.7
Spy Game
(2001)
Political: Center
Diversity: Low
Center
8.0
The Most Dangerous Game
(1932)
Political: Center
Diversity: Low
Leans Traditional
7.0
Batman
(1966)
Political: Center
Diversity: Low
Leans Traditional
7.3
Scream
(1996)
Political: Center
Diversity: Low
Leans Traditional
6.6
Al Capone
(1959)
Political: Center
Diversity: Low
Traditional
8.5
Scarface
(1932)
Political: Leans Right
Diversity: Low
Leans Traditional
8.6
The French Connection
(1971)
Political: Center
Diversity: Low
Leans Traditional
8.9
The Dark Knight
(2008)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.0
Face/Off
(1997)
Political: Center
Diversity: Low
Leans Traditional
8.0
Midnight Run
(1988)
Political: Center
Diversity: Low