6.9
Viewer Rating
Combines user and critic ratings from four sources
Bram Stoker's Dracula (1992)
Bram Stoker's Dracula (1992)
Overview
Centuries-old vampire Count Dracula travels to Victorian London, where he becomes obsessed with Mina Murray—the fiancée of his solicitor, Jonathan Harker—believing her to be the reincarnation of his long-lost love.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Viewer Rating
6.9
Overview
Centuries-old vampire Count Dracula travels to Victorian London, where he becomes obsessed with Mina Murray—the fiancée of his solicitor, Jonathan Harker—believing her to be the reincarnation of his long-lost love.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film primarily explores apolitical themes of love, loss, faith, and the struggle against supernatural evil, offering a nuanced portrayal of its characters without explicitly promoting a specific political ideology.
Francis Ford Coppola's 'Dracula' features a traditional, predominantly white cast without any intentional race or gender swaps of established roles. The narrative maintains a neutral to positive framing of traditional identities, focusing on the gothic horror and romance without incorporating explicit DEI themes or critiques.
Secondary
The film portrays Christian faith and symbols as powerful and effective against the forces of evil. While Dracula's origin is tied to a tragic interpretation of Christian doctrine, the narrative ultimately affirms the virtues of faith, love, and redemption, with the heroes' devoutness being a source of strength.
Bram Stoker's Dracula does not include any discernible LGBTQ+ characters or themes. The narrative centers on heterosexual romance and horror, with no elements that could be interpreted as affirming, problematic, or incidental to queer identity.
Bram Stoker's Dracula (1992) does not include any identifiable transsexual characters or themes. The narrative focuses on gothic horror, romance, and vampirism without engaging with gender identity beyond cisgender portrayals. Therefore, the film has no discernible impact on the portrayal of transsexual individuals.
The movie does not contain any action or adventure elements.
Francis Ford Coppola's 1992 adaptation of Bram Stoker's novel portrays all major characters, such as Dracula, Mina, Jonathan Harker, and Van Helsing, with the same gender as established in the original source material. No canonical characters were depicted with a different gender.
All major characters in Francis Ford Coppola's 1992 film "Dracula" are portrayed by actors whose race aligns with the established canon from Bram Stoker's novel and historical context. No character originally established as one race is depicted as a different race.
Viewer Rating Breakdown
User Ratings
7.4
7.4
Critic Ratings
6.9
5.7
More Like This
Leans Traditional
8.4
The Unknown
(1927)
Political: Center
Diversity: Low
Leans Traditional
8.0
Cat People
(1942)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Lost Boys
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.8
Dracula
(1931)
Political: Center
Diversity: Low
Leans Traditional
8.7
The Last Picture Show
(1971)
Political: Center
Diversity: Low
Leans Traditional
7.1
Blood on the Moon
(1948)
Political: Center
Diversity: Low
Leans Traditional
6.8
Magic
(1978)
Political: Center
Diversity: Low
Leans Traditional
7.5
Sarah, Plain and Tall
(1991)
Political: Center
Diversity: Low
Leans Traditional
7.3
Girl Shy
(1924)
Political: Center
Diversity: Low
Leans Traditional
7.5
It
(2017)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Leans Traditional
6.9
Daffy Duck's Quackbusters
(1988)
Political: Center
Diversity: Low
Leans Traditional
7.7
Gentlemen Prefer Blondes
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Black Swan
(1942)
Political: Center
Diversity: Low
Leans Traditional
8.2
Ball of Fire
(1941)
Political: Center
Diversity: Low
Leans Traditional
6.7
Star!
(1968)
Political: Center
Diversity: Low
Leans Traditional
8.5
Safety Last!
(1923)
Political: Center
Diversity: Low
Leans Traditional
7.6
The Pit and the Pendulum
(1961)
Political: Center
Diversity: Low
Traditional
7.6
San Francisco
(1936)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
Relic
(2020)
Political: Center
Diversity: Low
Leans Traditional
7.9
The Major and the Minor
(1942)
Political: Center
Diversity: Low