Viewer Rating
Combines user and critic ratings from four sources
Drama • 2025 • 93 min

Brides follows two British Muslim teenagers, one with Somali roots and one with Pakistani roots, who travel to Istanbul planning to cross into Syria and join ISIS. Director Nadia Fall grounds the story in their alienation at home: discrimination, troubled families, and a search for belonging that a radical promise briefly answers. The Progressive label reflects how the film frames radicalization as a product of systemic failure rather than individual moral collapse. White British characters carry the bigotry, Islam is portrayed with sympathy, and the girls' friendship stands as the film's emotional anchor. The story asks audiences to understand rather than condemn, which places it firmly in progressive social discourse.
Ebada Hassan • Safiyya Ingar • Yusra Warsama
Brides follows two British Muslim teenagers, one with Somali roots and one with Pakistani roots, who travel to Istanbul planning to cross into Syria and join ISIS. Director Nadia Fall grounds the story in their alienation at home: discrimination, troubled families, and a search for belonging that a radical promise briefly answers. The Progressive label reflects how the film frames radicalization as a product of systemic failure rather than individual moral collapse. White British characters carry the bigotry, Islam is portrayed with sympathy, and the girls' friendship stands as the film's emotional anchor. The story asks audiences to understand rather than condemn, which places it firmly in progressive social discourse.
Ebada Hassan • Safiyya Ingar • Yusra Warsama
The film's central subject of young British Muslim girls drawn to ISIS is framed through their experiences of discrimination and marginalization, with the narrative championing empathy and understanding societal failures over condemnation or individual accountability. This anchors the rating in progressive discourse on systemic racism and alienation.
The movie centers on two British Muslim teenage girls of Somali and Pakistani backgrounds who flee discrimination at home for Syria, with supporting white British characters depicted as bigoted or abusive in key scenes.
The film centers on two teenage girls fleeing troubled, abusive, or restrictive home lives in the UK—marked by parental conflicts, bullying, and alienation—for a radical alternative promising belonging and purpose, with their deep friendship portrayed as the core positive bond. This framing questions traditional family structures and authority while highlighting escape and chosen connections.
The film centers on two British Muslim teenage girls drawn to radical Islam via propaganda and alienation, but frames their story with deep empathy, nuance, and sympathy for their search for belonging and purpose while critiquing Islamophobia and manipulation.
The film centers on two teenage Muslim girls' platonic friendship and attempt to join ISIS amid alienation and discrimination in Britain. No LGBTQ+ characters or themes appear.
No transgender characters or themes appear in the film. It centers on two teenage Muslim girls from the UK who run away to join ISIS in Syria, exploring their friendship, alienation, and radicalization.
The movie does not contain any action or adventure elements.
Original screenplay fictionalizing real events of British Muslim teenage girls joining ISIS; major characters Doe and Muna are female in both historical basis and on-screen portrayals by female actors, with no legacy or source characters of opposite gender.
Original screenplay inspired by real events but featuring new fictional characters with backgrounds (Somali refugee and Pakistani heritage) matching the actors' heritages; no prior canon, adaptations, or legacy figures with mismatched races.
Not depicted in the film.
Combines user and critic ratings from four sources























