Leans Traditional
6.9
Rigadin au téléphone
(1913)
Political: Center
Diversity: Low
C'est Rigadin qui paie (1914)
C'est Rigadin qui paie (1914)
Overview
Rigadin, though married, is having two affairs. Pretending he has important work to do, he goes out, planning to visit each of his two girlfriends in turn.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Rigadin, though married, is having two affairs. Pretending he has important work to do, he goes out, planning to visit each of his two girlfriends in turn.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film, an early French farce featuring the character Rigadin, uses the theme of financial responsibility as a comedic premise for personal misfortune and misunderstandings, rather than to promote any specific political ideology or critique.
This 1910 French silent comedy features traditional casting and a narrative that does not engage with themes of diversity, equity, or inclusion. Its portrayal of characters and identities aligns with the prevailing societal norms of its era, without any explicit critique or promotion of DEI concepts.
Secondary
This silent French comedy from 1914, centered on the character Rigadin's comedic misadventures, does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses exclusively on heterosexual relationships and general comedic situations, resulting in no portrayal of LGBTQ+ identities.
No plot details or character information are available for 'C'est Rigadin qui paie'. Consequently, it is not possible to evaluate the film's portrayal of transsexual characters or themes, resulting in an N/A rating.
The movie does not contain any action or adventure elements.
This 1914 silent comedy features Rigadin, an original character for the screen consistently portrayed as male. There is no evidence of any character being established as one gender in prior canon or history and then depicted as a different gender in this film.
This 1914 silent film predates the common scenarios for race swaps, such as adaptations of long-established IP or reboots of legacy characters with defined racial canons. There is no indication of any character being portrayed as a different race than their established origin.
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