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Documentary • 2025 • 111 min

Caterpillar follows David Taylor, a biracial gay man in his fifties living in Miami, who travels to India for unregulated iris-implant surgery in hopes that changing his eye color will finally make him feel seen. Director Liza Mandelup uses close, observational access to explore beauty standards, identity, and the gap between cosmetic change and genuine self-acceptance. The Leans Progressive label reflects the film's sympathetic framing of a queer man's life, including friction with a mother whose conservative expectations around gender and identity are presented as a source of pain. The documentary does not frame traditional values as villainous, keeping the rating mild rather than strongly progressive.
David Taylor
Caterpillar follows David Taylor, a biracial gay man in his fifties living in Miami, who travels to India for unregulated iris-implant surgery in hopes that changing his eye color will finally make him feel seen. Director Liza Mandelup uses close, observational access to explore beauty standards, identity, and the gap between cosmetic change and genuine self-acceptance. The Leans Progressive label reflects the film's sympathetic framing of a queer man's life, including friction with a mother whose conservative expectations around gender and identity are presented as a source of pain. The documentary does not frame traditional values as villainous, keeping the rating mild rather than strongly progressive.
David Taylor
Mandelup adopts an observational stance with intimate access to her subject's daily life and medical journey, posing the central question of whether external physical alterations can deliver internal transformation or lasting acceptance.
Liza Mandelup, granted extensive access to subject Raymond David Taylor, follows the biracial gay Miami man’s pursuit of unregulated iris-implant surgery in India. The film poses the question of whether altering physical appearance can resolve deeper issues of visibility, acceptance, and self-worth amid societal beauty pressures. It centers Taylor’s personal experiences with family dynamics and identity without casting traditional identities in antagonistic roles.
Director Liza Mandelup, with intimate access to subject David Taylor’s daily life, family interactions, and surgical journey, centers a 50-something queer man’s pursuit of permanent eye-color change. The film poses whether superficial transformation can resolve deeper questions of acceptance and self-worth amid family tensions and beauty standards.
The documentary depicts a strained mother-son relationship in which the mother's conservative expectations around gender and identity are shown as sources of conflict and emotional distance for the adult son.
No transsexual characters or themes appear. The documentary follows a queer man’s pursuit of cosmetic eye-color surgery and examines body-image pressures and the international plastic-surgery industry through direct access to its subject.
The movie does not contain any action or adventure elements.
The documentary features no instances of gender-swapped characters from prior canon, historical figures, or legacy adaptations.
Caterpillar is an original documentary with no source material, prior adaptations, or historical figures whose documented race is altered in portrayal. All subjects appear as themselves in their real-life contexts.
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