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Combines user and critic ratings from four sources
Drama, History, War • 2008 • 134 min

Steven Soderbergh's two-part epic follows Ernesto 'Che' Guevara and Fidel Castro's guerrilla campaign to topple Cuba's Batista dictatorship in the 1950s. Part One covers the revolution's arc from idealism to victory, with Benicio Del Toro carrying the portrait. The Leans Progressive label follows naturally from the subject matter. The film frames armed anti-imperialist struggle as a legitimate, even noble, response to systemic oppression. That is Che Guevara's own argument, and the film presents it sympathetically rather than critically. Religion is largely absent, family life barely registers, and social diversity reflects historical reality rather than modern casting choices. The politics do most of the work here.
Julia Ormond • Benicio Del Toro • Oscar Isaac
Steven Soderbergh's two-part epic follows Ernesto 'Che' Guevara and Fidel Castro's guerrilla campaign to topple Cuba's Batista dictatorship in the 1950s. Part One covers the revolution's arc from idealism to victory, with Benicio Del Toro carrying the portrait. The Leans Progressive label follows naturally from the subject matter. The film frames armed anti-imperialist struggle as a legitimate, even noble, response to systemic oppression. That is Che Guevara's own argument, and the film presents it sympathetically rather than critically. Religion is largely absent, family life barely registers, and social diversity reflects historical reality rather than modern casting choices. The politics do most of the work here.
Julia Ormond • Benicio Del Toro • Oscar Isaac
The film's central thesis explicitly promotes revolutionary anti-capitalist and anti-imperialist ideology through its sympathetic portrayal of Che Guevara and the Cuban Revolution. It champions armed struggle as a solution to systemic oppression and inequality.
The movie features a cast that accurately reflects the historical and geographical context of the Cuban Revolution, naturally presenting diversity without explicit race or gender swaps of traditionally white roles. The narrative focuses on a revolutionary struggle against an oppressive regime, implicitly critiquing established power structures and advocating for social justice, but without explicitly framing traditional identities negatively or making modern DEI themes central.
The film primarily focuses on the revolutionary activities of Che Guevara, with family life and relationships being very peripheral to the narrative. There is no meaningful exploration or endorsement of either traditional or progressive family norms.
The film "Che: Part One" is a historical drama centered on Che Guevara and the Cuban Revolution. Its narrative focuses exclusively on political and military events, with no identifiable LGBTQ+ characters or themes present in the story.
Che: Part One is a historical drama chronicling Che Guevara's role in the Cuban Revolution. The film's narrative is entirely focused on political and military events, and it does not feature any identifiable transsexual characters or explore related themes. Therefore, there is no portrayal to evaluate within the scope of this framework.
The movie does not contain any action or adventure elements.
The film is a biographical drama depicting real historical figures from the Cuban Revolution. All significant historical characters are portrayed on screen with the same gender as their real-world counterparts, with no instances of a character established as one gender being portrayed as another.
The film is a biopic portraying real historical figures, primarily of European or Latin American descent. The actors cast for these roles are consistent with the historical racial backgrounds of the characters, with no instances of a character's established race being changed.
Not depicted in the film.
Combines user and critic ratings from four sources























