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Combines user and critic ratings from four sources
Drama, History, War • 2008 • 135 min

Che: Part Two follows Ernesto Guevara's ill-fated guerrilla campaign in Bolivia, seven years after Cuba. Directed by Steven Soderbergh and led by Benicio Del Toro, the film portrays revolutionary struggle against what it frames as imperialism and entrenched power. That framing is the primary reason the label lands Leans Progressive. Anti-colonial and anti-capitalist ideals drive the narrative, and the film treats Guevara's cause with a degree of sympathy rather than scrutiny. Religion is largely absent, family life barely registers, and social values are handled in a broadly neutral way. The label is mild rather than hard-left because the film favors restraint over overt ideology.
Demián Bichir • Rodrigo Santoro • Benicio Del Toro
Che: Part Two follows Ernesto Guevara's ill-fated guerrilla campaign in Bolivia, seven years after Cuba. Directed by Steven Soderbergh and led by Benicio Del Toro, the film portrays revolutionary struggle against what it frames as imperialism and entrenched power. That framing is the primary reason the label lands Leans Progressive. Anti-colonial and anti-capitalist ideals drive the narrative, and the film treats Guevara's cause with a degree of sympathy rather than scrutiny. Religion is largely absent, family life barely registers, and social values are handled in a broadly neutral way. The label is mild rather than hard-left because the film favors restraint over overt ideology.
Demián Bichir • Rodrigo Santoro • Benicio Del Toro
The film's central subject matter, Che Guevara's revolutionary struggle against perceived imperialist and oppressive forces, inherently aligns with anti-colonial and anti-capitalist themes. Its narrative focuses on the ideals and sacrifices of the revolutionary movement, positioning it as left-leaning.
The movie features a diverse cast that accurately reflects the historical and ethnic backgrounds of its Latin American characters. Its narrative explores themes of social justice and anti-imperialism, focusing on revolutionary struggles against oppressive political systems rather than explicitly critiquing traditional identities based on race or gender.
Several historical figures who were Afro-Cuban members of Che Guevara's guerrilla force, including Monje, Pompeyo, Urbano, and Ramiro Valdés, are portrayed by actors who are not Black.
The film primarily focuses on Che Guevara's revolutionary activities and military campaign, with family life, marriage, and parenting being almost entirely absent from the narrative. It neither endorses nor critiques specific family structures or norms.
Che: Part Two is a historical drama depicting Che Guevara's final guerrilla campaign in Bolivia. The narrative focuses exclusively on the political and military aspects of the conflict, with no discernible presence of LGBTQ+ characters or themes throughout the film.
The film 'Che: Part Two' is a historical drama depicting Che Guevara's revolutionary efforts in Bolivia. It does not include any identifiable transsexual characters or explore themes related to transsexual identity. The narrative is entirely focused on the political and military events of the guerrilla campaign, with no depiction of transsexual individuals or experiences.
The movie does not contain any action or adventure elements.
The film is a historical drama depicting real-life figures involved in Che Guevara's Bolivian campaign. All major historical characters are portrayed on screen with the same gender as their documented real-world counterparts, with no instances of gender alteration.
Not depicted in the film.
Combines user and critic ratings from four sources























