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Cimarron (1931)
When the government opens up the Oklahoma territory for settlement, restless Yancey Cravat claims a plot of the free land for himself and moves his family there from Wichita. A newspaperman, lawyer, and just about everything else, Cravat soon becomes a leading citizen of the boom town of Osage. Once the town is established, however, he begins to feel confined once again, and heads for the Cherokee Strip, leaving his family behind. During this and other absences, his wife Sabra must learn to take care of herself and soon becomes prominent in her own right.
When the government opens up the Oklahoma territory for settlement, restless Yancey Cravat claims a plot of the free land for himself and moves his family there from Wichita. A newspaperman, lawyer, and just about everything else, Cravat soon becomes a leading citizen of the boom town of Osage. Once the town is established, however, he begins to feel confined once again, and heads for the Cherokee Strip, leaving his family behind. During this and other absences, his wife Sabra must learn to take care of herself and soon becomes prominent in her own right.
The film explores the complex development of the American West, balancing the celebration of individual pioneering spirit and enterprise with the necessity of community building, social order, and evolving gender roles. It depicts the challenges and transformations of a society without explicitly championing one political ideology over another, leading to a neutral rating.
The film 'Cimarron' features a cast predominantly composed of white actors, reflecting the common casting practices of its production era without intentional diversity-driven recasting. Its narrative centers on the experiences of white pioneers, presenting traditional identities in a generally positive or neutral light, and does not incorporate explicit critiques of these identities or central DEI themes.
The film portrays Christianity as a foundational element of the burgeoning frontier community, symbolizing moral order, social cohesion, and the establishment of civilization. The church and its adherents, particularly Sabra Cravat, are depicted as pillars of virtue and community strength, with the narrative aligning with these values.
Judaism is depicted positively through the character of Sol Levy, an honest and hardworking businessman. While he faces initial prejudice, the film's narrative condemns this bigotry, portraying him as a respected and integral member of the community.
Cimarron (1931) is a historical Western epic that focuses on the settlement of Oklahoma. The narrative does not include any identifiable LGBTQ+ characters, relationships, or themes, resulting in no direct portrayal of queer identity.
The film "Cimarron" (1931) is a historical Western epic depicting the Oklahoma Land Rush and the subsequent development of a frontier town. The narrative focuses on the lives of its pioneering characters and does not feature any identifiable transsexual characters or themes, nor does it engage with related topics.
The movie does not contain any action or adventure elements.
The 1931 film "Cimarron" is a direct adaptation of Edna Ferber's 1930 novel. All major characters, such as Yancey and Sabra Cravat, retain their established genders from the original source material without any changes.
The 1931 film "Cimarron" adapts Edna Ferber's novel, portraying its main characters, who are established as white, with white actors. There are no instances where a character canonically, historically, or widely established as one race is depicted as a different race.
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