Leans Traditional
6.6
To Fly!
(1976)
Political: Center
Diversity: Low
Creatures of Pain (1968)
Creatures of Pain (1968)
Overview
In 1967 I was hoping to make a film about sheepherders in Nigeria. Civil War intervened and I had to be content with a few days attending a ritual called “sharo” in a small village near Kano. It qualified as a true ‘ordeal’, a contest of endurance to pain.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
Not Rated
Overview
In 1967 I was hoping to make a film about sheepherders in Nigeria. Civil War intervened and I had to be content with a few days attending a ritual called “sharo” in a small village near Kano. It qualified as a true ‘ordeal’, a contest of endurance to pain.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, a hero fighting injustice within a wuxia framework, lacks a strong inherent political valence. Its likely emphasis on individual action and traditional virtues balances potential critiques of power, leading to a neutral rating.
Due to the absence of specific details regarding the movie's casting, plot, or narrative, a definitive assessment of its DEI characteristics cannot be made. Based on the lack of information, the film is evaluated as having no explicit DEI-driven casting or narrative framing.
Secondary
Without any provided plot details or character descriptions for the film {飞燕女侠}, it is not possible to evaluate the presence or portrayal of LGBTQ+ characters and themes. Therefore, no assessment of its net impact can be made.
Based on available information, the film 'Creatures of Pain (movie, 1968)' does not appear to feature any identifiable transsexual characters or themes. Consequently, there is no depiction to evaluate, resulting in a net impact of N/A.
The movie does not contain any action or adventure elements.
The film's title, 'Flying Swallow Heroine,' indicates a female protagonist. There is no evidence of any character in this 1968 movie being established as a different gender in prior source material.
There is no available information to suggest that any character in the 1968 film {飞燕女侠} was canonically established as one race and then portrayed as a different race on screen. The film's context does not indicate any such instances.
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