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Combines user and critic ratings from four sources

Detective K: Secret of the Living Dead (2018)
When a series of murders occur in Kanghwa Island, Detective K and his partner are once again called upon to solve the case. Along the way, he teams up with a beautiful woman with amnesia and together they discover Vampire bite marks on all the bodies. As they investigate further, they realize that the woman is somehow closely connected to the deaths.
When a series of murders occur in Kanghwa Island, Detective K and his partner are once again called upon to solve the case. Along the way, he teams up with a beautiful woman with amnesia and together they discover Vampire bite marks on all the bodies. As they investigate further, they realize that the woman is somehow closely connected to the deaths.
The film primarily focuses on an apolitical mystery and the individual heroism of Detective K to expose corruption and bring a specific wrongdoer to justice, without promoting a particular political ideology or engaging with ideologically charged themes.
This South Korean film features a cast that is traditional to its cultural origin, with no explicit race or gender swaps of roles. Its narrative does not contain explicit critiques of traditional identities or center on strong DEI themes.
The film "Detective K: Secret of the Living Dead" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a detective investigating mysterious deaths, with no elements related to queer identity or experiences present in the storyline.
The film 'Detective K: Secret of the Living Dead' does not appear to feature any transsexual characters or themes. Its narrative focuses on a mystery involving vampires and a secret society, with no elements related to transgender identity or experiences.
The film does not depict any female characters engaging in or winning close-quarters physical combat against one or more male opponents. Female characters are present but are not shown to be victorious in such direct physical confrontations.
The film is a sequel in an original series. Its established main characters maintain their original genders, and new characters introduced for this installment do not appear to be gender-swapped from any prior canon or historical figures.
The film is an original South Korean production, part of an established series. Its characters are consistently portrayed by actors of the same race as established within its own canon and historical setting, with no evidence of a character's race being changed from prior source material or history.
Combines user and critic ratings from four sources























