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Combines user and critic ratings from four sources

Diabolical Inheritance (1994)
When Tony, a successful businessman, receives a call informing him that he has inherited his late aunt's vast estate, he uproots himself and his wife, Annie, from New York to Mexico City. While adjusting to and exploring their new gothic home, Tony and Annie come upon a mysterious clown doll. Although merely unnerved by the doll’s strange appearance at first, Annie soon becomes concerned as it begins turning up out of nowhere in every corner of the house. When a series of fatal 'accidents’ occur on or near the couple’s property, with the doll always at the scene, Tony and Annie come to the terrifying realization that a sinister force has possessed it, and begin a race against time to figure out how to bring the carnage to an end!
When Tony, a successful businessman, receives a call informing him that he has inherited his late aunt's vast estate, he uproots himself and his wife, Annie, from New York to Mexico City. While adjusting to and exploring their new gothic home, Tony and Annie come upon a mysterious clown doll. Although merely unnerved by the doll’s strange appearance at first, Annie soon becomes concerned as it begins turning up out of nowhere in every corner of the house. When a series of fatal 'accidents’ occur on or near the couple’s property, with the doll always at the scene, Tony and Annie come to the terrifying realization that a sinister force has possessed it, and begin a race against time to figure out how to bring the carnage to an end!
Due to the absence of specific plot details, character arcs, or thematic content for 'Diabolical Inheritance,' an objective assessment of its political bias is not possible from the information provided.
Based on the limited information provided, a neutral assessment of the movie's DEI characteristics is applied. Without specific details on casting or narrative content, the film is evaluated as having a light presence of DEI, indicating general diversity without explicit DEI-driven casting or strong narrative critiques of traditional identities.
The film's premise of a 'diabolical inheritance' and a 'pact with the devil' implicitly affirms a moral and theological framework, likely Christian, that defines such entities and actions as evil. By portraying the devil and its pacts as genuinely terrifying and destructive, the narrative reinforces the value of the opposing forces of good or the moral order being violated.
Based on the provided information, the film "Diabolical Inheritance" does not appear to feature any identifiable LGBTQ+ characters or themes. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
No plot details or character descriptions were provided for 'Diabolical Inheritance (1994)'. Therefore, it is not possible to identify or evaluate the presence or portrayal of transsexual characters or themes, leading to an N/A rating based on the lack of information.
The movie does not contain any action or adventure elements.
The film "Diabolical Inheritance" (1994) is an original production and not an adaptation or reboot of existing material with pre-established characters. Consequently, there are no characters whose gender was altered from a prior canonical or historical depiction.
No information is available regarding source material or character origins for 'Diabolical Inheritance' (1994) to establish any canonical or historically defined character races that could have been altered. Therefore, a race swap cannot be confirmed.
Combines user and critic ratings from four sources























