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Do Not Expect Too Much from the End of the World (2023)

Do Not Expect Too Much from the End of the World poster

Do Not Expect Too Much from the End of the World (2023)

Overview

On behalf of a multinational company, a production assistant drives around the Romanian city of Bucharest, interviewing various citizens who have been injured due to work accidents to cast one of them in a “safety at work” video.


Starring Cast


Where to watch

Apple TV logoApple TV
Fandango
Prime Video logoPrime Video
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Progressive
Political: Strong Left
Diversity: High

Viewer Rating
8.3

Overview

On behalf of a multinational company, a production assistant drives around the Romanian city of Bucharest, interviewing various citizens who have been injured due to work accidents to cast one of them in a “safety at work” video.


Starring Cast


Where to watch

Apple TV logoApple TV
Fandango
Prime Video logoPrime Video
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Progressive

Primary

The film explicitly promotes a progressive ideology through its direct critique of nationalism, neoliberal capitalism, and historical denialism, advocating for historical truth-telling and social justice. Its central thesis aligns with a clearly left-wing perspective.

The film showcases visible diversity by centering on disabled factory workers and a working-class female protagonist navigating a male-dominated industry. Its narrative explicitly critiques corporate exploitation, performative inclusion, and toxic masculinity, highlighting systemic power imbalances and the negative framing of traditional corporate power structures.

Secondary

The film does not feature any identifiable LGBTQ+ characters or themes. Its social commentary is directed at other societal issues like gender, class, and capitalism, leaving LGBTQ+ experiences outside its scope of depiction and critique.

Publicly available analyses and reviews for 'Do Not Expect Too Much from the End of the World' do not describe any explicit transsexual characters or themes. Therefore, based on current information, the film does not appear to feature such portrayals.

The movie does not contain any action or adventure elements.

The film's characters, including the protagonist Angela and supporting roles, maintain their established or historical genders. Angela's hyper-masculine alter ego, Bobiţă, is an in-narrative performance, not a gender swap of a pre-existing character. No instances of gender-swapping from source material or historical record are present.

The film's major characters, Angela and Gyuri, are portrayed by actors matching their established Romanian and Hungarian ethnicities from the 1981 source film. New characters and the overall background casting align with the historical demographics of Bucharest, with no instances of a character's established race being changed.


Viewer Rating Breakdown

8.3

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
7.3
The Movie Database logo
6.9

Critic Ratings

Rotten Tomatoes logo
9.6
Metacritic logo
9.5

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