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Door (1988)
Yasuko, a housewife, lives in an urban high-rise apartment with her husband Satoru and her son Takuto. Annoyed by spam calls and door-to-door salesmen, Yasuko slams the door on a salesman’s hand when he tries to squeeze a flyer through the apartment's chained front door. He leaves, but the next day, her nightmare starts.
Yasuko, a housewife, lives in an urban high-rise apartment with her husband Satoru and her son Takuto. Annoyed by spam calls and door-to-door salesmen, Yasuko slams the door on a salesman’s hand when he tries to squeeze a flyer through the apartment's chained front door. He leaves, but the next day, her nightmare starts.
The film focuses on psychological horror and individual terror within a domestic setting, rather than explicitly promoting or critiquing specific political ideologies or offering systemic solutions.
The movie features a cast that is diverse within its cultural context, without explicit race or gender swaps of traditionally white roles. Its narrative, while portraying a male antagonist negatively, does not center on explicit DEI critiques of traditional identities.
Based on the information provided, no identifiable LGBTQ+ characters or themes were present in the film 'Door'. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The film 'Door' (1988) is a Japanese psychological horror film focusing on a woman's terrorization by a stalker. Based on comprehensive plot details and critical analyses, there are no identifiable transsexual characters or themes present in the movie. Consequently, an evaluation of its portrayal of such elements is not applicable.
The movie does not contain any action or adventure elements.
The film "Door" (1988) appears to be an original story with no pre-existing source material or established characters whose gender could have been altered. All characters seem to be original creations for this specific film.
The 1988 Japanese film "Door" is an original production featuring Japanese characters. There is no evidence of characters being adapted from source material or historical records where their race was established as different from their on-screen portrayal.
Combines user and critic ratings from four sources























