MovieBias

See all results for ""
BrowseAnalyticsAbout

Dragonwyck (1946)

Dragonwyck poster

Dragonwyck (1946)

Overview

For Miranda Wells, moving to New York to live in Dragonwyck Manor with her rich cousin, Nicholas, seems like a dream. However, the situation gradually becomes nightmarish. She observes Nicholas' troubled relationship with his tenant farmers, as well as with his daughter, to whom Miranda serves as governess. Her relationship with Nicholas intensifies after his wife dies, but his mental imbalance threatens any hope of happiness.


Starring Cast


Where to watch

Prime Video logoPrime Video
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Center

Political: Leans Left
Diversity: Low
Christianity: Positive

Viewer Rating
6.8

Overview

For Miranda Wells, moving to New York to live in Dragonwyck Manor with her rich cousin, Nicholas, seems like a dream. However, the situation gradually becomes nightmarish. She observes Nicholas' troubled relationship with his tenant farmers, as well as with his daughter, to whom Miranda serves as governess. Her relationship with Nicholas intensifies after his wife dies, but his mental imbalance threatens any hope of happiness.


Starring Cast


Where to watch

Prime Video logoPrime Video
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Center

Primary

The film critiques the oppressive nature of aristocratic power and patriarchal control, contrasting it with more egalitarian values through the protagonist's journey and the eventual downfall of the old order, aligning with left-leaning themes of questioning established hierarchies.

The film features traditional casting practices typical of its era, with no explicit race or gender swaps of established roles. Its narrative focuses on individual character drama and gothic themes, without explicitly critiquing traditional identities or incorporating DEI themes as central to its story.

Secondary

The film portrays Christianity as a source of moral strength and resilience, particularly through Miranda's character, whose faith helps her navigate and ultimately escape the oppressive and evil environment of Dragonwyck. Nicholas's disdain for religion is presented as a facet of his villainy.

Dragonwyck is a gothic melodrama centered on a young woman's marriage into a wealthy, troubled family. The film does not feature any identifiable LGBTQ+ characters, relationships, or themes within its narrative. Therefore, its net impact on LGBTQ+ portrayal is N/A.

Dragonwyck is a 1946 gothic melodrama that does not feature any identifiable transsexual characters or themes. The narrative focuses on a young woman's experiences within a mysterious, aristocratic family in the 19th century, with no elements related to transgender identity or issues.

The movie does not contain any action or adventure elements.

The 1946 film "Dragonwyck" is a direct adaptation of Anya Seton's 1944 novel. All major characters in the film retain the same gender as established in the original source material, with no instances of a character's gender being altered.

The 1946 film "Dragonwyck" is an adaptation of Anya Seton's 1944 novel. All major characters, originally depicted as white in the source material, are portrayed by white actors in the film, consistent with their established race and the historical setting.


Viewer Rating Breakdown

6.8

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
6.9
The Movie Database logo
6.7

Critic Ratings

Rotten Tomatoes logo
6.7
Metacritic logo
N/A

More Like This

Suddenly, Last Summer poster
Leans Traditional
6.7
Suddenly, Last Summer
 (1959)

Political: Leans Left
Diversity: Low
LGBTQ: Negative
Where the Sidewalk Ends poster
Leans Traditional
8.2
Where the Sidewalk Ends
 (1950)
Political: Center
Diversity: Low
The Quiet American poster
Leans Progressive
7.7
The Quiet American
 (2002)
Political: Leans Left
Diversity: Moderate
Hedda poster
Progressive
6.6
Hedda
 (2025)
Political: Strong Left
Diversity: High
Gilda poster
Leans Traditional
8.0
Gilda
 (1946)
Political: Center
Diversity: Low
Match Point poster
Leans Traditional
7.5
Match Point
 (2005)
Political: Center
Diversity: Low
Enigma poster
Leans Traditional
6.6
Enigma
 (2001)
Political: Center
Diversity: Low
Julia poster
Center
6.6
Julia
 (1977)

Political: Center
Diversity: Low
LGBTQ: Positive
Ghost poster
Center
6.7
Ghost
 (1990)
Political: Center
Diversity: Moderate
He Who Gets Slapped poster
Leans Traditional
7.7
He Who Gets Slapped
 (1924)
Political: Center
Diversity: Low
The Postman Always Rings Twice poster
Leans Traditional
8.0
The Postman Always Rings Twice
 (1946)
Political: Center
Diversity: Low
Fatal Attraction poster
Traditional
7.0
Fatal Attraction
 (1987)
Political: Leans Right
Diversity: Low
Baby Boy poster
Leans Traditional
6.6
Baby Boy
 (2001)
Political: Leans Right
Diversity: Moderate
Kiss of the Spider Woman poster
Progressive
6.9
Kiss of the Spider Woman
 (2025)

Political: Strong Left
Diversity: High
LGBTQ: Positive
Confessions of a Dangerous Mind poster
Leans Traditional
7.1
Confessions of a Dangerous Mind
 (2002)
Political: Center
Diversity: Low
The Lost Boys poster
Leans Traditional
7.0
The Lost Boys
 (1987)
Political: Center
Diversity: Low
Nurse Betty poster
Center
6.9
Nurse Betty
 (2000)

Political: Center
Diversity: Moderate
LGBTQ: Neutral
Laura poster
Leans Traditional
8.5
Laura
 (1944)
Political: Center
Diversity: Low
And Then There Were None poster
Leans Traditional
8.1
And Then There Were None
 (1945)
Political: Center
Diversity: Low
All About Eve poster
Traditional
9.0
All About Eve
 (1950)

Political: Center
Diversity: Low
LGBTQ: Negative
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com