Viewer Rating
Combines user and critic ratings from four sources
Thriller, Drama • 2025 • 128 min

Eagles of the Republic follows George Fahmy, Egypt's most celebrated actor, as he gets conscripted into a state-commissioned film and pulled into the orbit of the general funding it. Swedish-Egyptian director Tarik Saleh builds a political thriller around the corrosive logic of authoritarian patronage, where creative complicity and personal compromise run on the same track. The Leans Progressive label follows naturally: the film's central engine is a pointed critique of how power systems bend individuals and institutions to their will. Family is present mainly as a liability the regime can exploit. Religion surfaces in the background, and the cultural authenticity of the Egyptian cast keeps the social framing grounded rather than ideologically imported.
Fares Fares • Lyna Khoudri • Amr Waked
Eagles of the Republic follows George Fahmy, Egypt's most celebrated actor, as he gets conscripted into a state-commissioned film and pulled into the orbit of the general funding it. Swedish-Egyptian director Tarik Saleh builds a political thriller around the corrosive logic of authoritarian patronage, where creative complicity and personal compromise run on the same track. The Leans Progressive label follows naturally: the film's central engine is a pointed critique of how power systems bend individuals and institutions to their will. Family is present mainly as a liability the regime can exploit. Religion surfaces in the background, and the cultural authenticity of the Egyptian cast keeps the social framing grounded rather than ideologically imported.
Fares Fares • Lyna Khoudri • Amr Waked
Dark political satire fuses thriller form with indictment of regime-enforced propaganda, exposing how power systems deform individuals and industry alike.
Egyptian actors portray Egyptian characters in an authentic Cairo political thriller about regime pressure on the film industry. Casting reflects the story's cultural setting without recasting traditionally white roles. Narrative targets authoritarian control and complicity rather than traditional Western identities.
A gay agent functions as a minor supporting character whose sexuality registers incidentally amid the story's political and heterosexual romantic threads.
The protagonist's separated marriage and strained, neglectful bond with his adult son appear as sources of leverage and personal failing, with no affirmation of traditional marital fidelity, parental authority, or multigenerational ties.
Coptic protagonist faces regime suspicion tied to his faith, with narrative framing exposing such prejudice as part of broader authoritarian control.
Regime deploys hollow religiosity for censorship and propaganda, narrative exposing the hypocrisy without countervailing nuance.
No transgender characters or themes feature in the political thriller.
The movie does not contain any action or adventure elements.
No gender swaps occur. All named characters maintain canonical or original genders matching their portrayals in this original screenplay.
No characters meet the criteria for a race swap. The film features an entirely original cast of fictional Egyptian figures with no prior canonical depictions in source material, adaptations, or historical records that establish a different racial baseline.
Combines user and critic ratings from four sources























