7.0
Viewer Rating
Combines user and critic ratings from four sources
Escape from Terror: The Teresa Stamper Story (1995)
Escape from Terror: The Teresa Stamper Story (1995)
Overview
True story of an abusive husband's obsession with his wife and daughter.
Starring Cast
Where to watch
Prime VideoRating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Negative
Viewer Rating
7.0
Overview
True story of an abusive husband's obsession with his wife and daughter.
Starring Cast
Where to watch
Prime VideoDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's title, 'Escape from Terror: The Teresa Stamper Story,' describes a personal narrative of overcoming a significant ordeal. Without further details on the nature of the terror or the means of escape, the film's political bias cannot be determined, leading to a neutral rating.
The film, based on a true story, features traditional casting that aligns with the real-life individuals involved, without intentional race or gender swaps. Its narrative focuses on the survival aspect of a true crime event, maintaining a neutral or positive framing of traditional identities rather than incorporating explicit DEI critiques.
Secondary
The film portrays a fundamentalist Christian cult that uses religious doctrine to justify kidnapping, abuse, and control over its members. The narrative unequivocally condemns the cult's actions and the leader's manipulative interpretation of faith, presenting a highly problematic and dangerous manifestation of religion without any counterbalancing positive portrayal of Christianity.
Based on the information provided, 'Escape from Terror: The Teresa Stamper Story' does not contain identifiable LGBTQ+ characters or themes. Consequently, an assessment of its portrayal of LGBTQ+ elements cannot be made, leading to a classification of N/A.
This film is a true-crime drama based on the real-life kidnapping of Teresa Stamper. The narrative focuses on her ordeal and escape. There are no identifiable transsexual characters or themes present in the movie's plot or character arcs.
The movie does not contain any action or adventure elements.
This film is a biopic based on the true story of Teresa Stamper. There is no evidence or historical record suggesting that any real-life individuals portrayed in the film had their gender changed from their historical identity for the screen adaptation.
The film is based on the true story of Teresa Stamper, a white woman. The actress portraying Teresa Stamper, Maria Pitillo, is also white, aligning with the historical figure's race. No race swaps are identified among the main characters.
Viewer Rating Breakdown
User Ratings
6.2
7.8
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
6.6
Murderers Among Us: The Simon Wiesenthal Story
(1989)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Pentagon Wars
(1998)
Political: Center
Diversity: Low
Leans Traditional
7.4
Dexter's Laboratory: Ego Trip
(1999)
Political: Center
Diversity: Low
Leans Traditional
6.6
When Innocence Is Lost
(1997)
Political: Center
Diversity: Low
Leans Traditional
6.6
Guilty Until Proven Innocent
(1991)
Political: Center
Diversity: Low
Traditional
6.9
Mother Teresa of Calcutta
(2003)
Political: Strong Right
Diversity: Moderate
Leans Traditional
7.5
Sarah, Plain and Tall
(1991)
Political: Center
Diversity: Low
Traditional
6.6
Last Stand at Saber River
(1997)
Political: Leans Right
Diversity: Low
Traditional
7.0
Breaking Through
(1996)
Political: Leans Right
Diversity: Low
Traditional
7.3
A Season for Miracles
(1999)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
Madame X
(1981)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Brass Ring
(1983)
Political: Center
Diversity: Low
Traditional
7.7
After the Promise
(1987)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Scruffy
(1980)
Political: Center
Diversity: Low
Leans Traditional
8.1
Cyrano
(1974)
Political: Center
Diversity: Low
Traditional
8.8
Sunrise: A Song of Two Humans
(1927)
Political: Leans Right
Diversity: Low
Traditional
8.1
The Lighthouse
(2019)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
(1969)
Political: Center
Diversity: Low
Leans Traditional
7.5
The War of the Roses
(1989)
Political: Center
Diversity: Low
Leans Traditional
7.9
First Man
(2018)
Political: Center
Diversity: Low