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Filipino Scouts, Musical Drill, St. Louis Exposition (1904)
Exhibition by Uncle Sam's troops in the Filipino Concession at the St. Louis Exposition
Exhibition by Uncle Sam's troops in the Filipino Concession at the St. Louis Exposition
This early actuality film is a neutral historical document, simply recording Filipino Scouts performing a musical drill at the St. Louis Exposition. While the event itself is steeped in colonial politics, the film offers no narrative or thematic commentary to promote either a progressive or conservative viewpoint, functioning purely as an observational record.
The film documents a musical drill performed by Filipino Scouts, inherently featuring a diverse cast due to its subject matter. It does not involve explicit recasting of traditional roles. The narrative primarily presents the performance without explicit critique of traditional identities or overt DEI themes.
This film is a historical record of a military drill performance by Filipino Scouts at the St. Louis Exposition. Its content is purely observational, documenting the event without any narrative or character development that would allow for the depiction of LGBTQ+ themes or characters.
This early 20th-century documentary short focuses on a military drill performance and does not include any discernible transsexual characters or themes, resulting in no relevant portrayal.
The movie does not contain any action or adventure elements.
This 1904 film is a historical record of a real event, not an adaptation of prior source material or a fictional work with established characters. Therefore, no characters are depicted with a gender different from their canonical or historical baseline.
This 1904 film documents real Filipino Scouts performing a drill at the St. Louis Exposition. The subjects are depicted as their actual race, and there is no prior canonical or historical establishment of these specific individuals as a different race that was then altered for the film.
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