Viewer Rating
Combines user and critic ratings from four sources

Forgive Us All (2025)
In a post-apocalyptic world, a virus has transformed humans into violently deranged cannibals. A bereaved mother has lost everything and takes refuge in an isolated mountain cabin, until a desperate wounded stranger arrives with a story of hope.
In a post-apocalyptic world, a virus has transformed humans into violently deranged cannibals. A bereaved mother has lost everything and takes refuge in an isolated mountain cabin, until a desperate wounded stranger arrives with a story of hope.
The film critiques an authoritarian government and champions individual moral agency and self-reliance over state control, with survival depending on personal choices made outside institutional frameworks.
The film's narrative primarily focuses on themes of survival, grief, and a strong female redemption story, with no explicit DEI themes or messaging indicated. Information regarding casting does not suggest intentional DEI-driven choices or significant diversity beyond the female lead.
Based on all available information, 'Forgive Us All, 2025' does not appear to feature any identifiable LGBTQ+ characters or themes. Plot summaries, character descriptions, trailers, and user reviews consistently omit any mention of queer representation, focusing instead on survival and personal trauma in a post-apocalyptic world.
The film's available information, including plot summaries, trailers, and reviews, contains no references to transsexual or transgender characters, themes, or related concepts. The narrative focuses on a bereaved mother's survival in a post-apocalyptic setting, dealing with grief, trauma, and moral complexities. Therefore, there is no depiction of transsexual characters or themes.
Based on available information, there are no descriptions of scenes where a female character defeats one or more male opponents in direct physical combat. While the setting involves dangers like cannibals and agents, specific instances of female characters winning close-quarters physical fights against men are not detailed in the provided sources.
The film is an original story with no prior source material, adaptations, or historical figures. All characters are new creations, meaning there is no pre-established gender to be swapped from.
Forgive Us All (2025) is an original film with no prior source material, such as books or earlier adaptations. Consequently, no characters had a previously established race that could be altered, meaning no race swaps occurred.
Combines user and critic ratings from four sources























