5.4
Viewer Rating
Combines user and critic ratings from four sources
From the Life of a Chief of the Criminal Police (1983)
From the Life of a Chief of the Criminal Police (1983)
Overview
A crime drama depicting the complicated relationship between the Chief of the Criminal Police and a professional thief.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Viewer Rating
5.4
Overview
A crime drama depicting the complicated relationship between the Chief of the Criminal Police and a professional thief.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film likely champions the necessity of strong state-backed law enforcement and the maintenance of social order through the dedicated efforts of a state official, aligning with 'law and order' themes often associated with conservative viewpoints in the US.
This 1983 Soviet crime drama features casting that aligns with traditional practices for its era and region, without evidence of intentional DEI-driven race or gender swaps. The narrative focuses on law enforcement, portraying traditional identities in a neutral or positive light, consistent with the genre and period, rather than offering critique or centering explicit DEI themes.
Secondary
Based on the provided information, the film 'Iz zhizni nachalnika ugolovnogo rozyska' does not contain identifiable LGBTQ+ characters or themes. Consequently, the net impact on LGBTQ+ portrayal is N/A.
The film does not feature any identifiable transsexual characters or themes. Consequently, there is no portrayal to evaluate regarding its impact on transgender identity.
The movie does not contain any action or adventure elements.
There is no information indicating that "Iz zhizni nachalnika ugolovnogo rozyska" (1983) is an adaptation of prior source material or features historical figures. Therefore, no characters are established as a different gender in prior canon or history, and no gender swap can be identified.
The film is a 1983 Soviet crime drama. There is no widely recognized source material or historical figures with pre-established racial identities for its characters, making a race swap impossible under the given definition.
Viewer Rating Breakdown
User Ratings
6.2
4.5
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.1
Gentlemen of Fortune
(1971)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mystery of Edwin Drood
(1980)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Black Triangle
(1981)
Political: Center
Diversity: Low
Leans Traditional
7.0
Broken Circle
(1987)
Political: Center
Diversity: Low
Traditional
7.5
The Cold Summer of 1953
(1988)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Be My Husband
(1981)
Political: Center
Diversity: Low
Traditional
7.1
We Looked in the Death's Face
(1980)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
Dead Man's Letters
(1986)
Political: Center
Diversity: Low
Traditional
6.7
A Black Rose Is an Emblem of Sorrow, a Red Rose an Emblem of Love
(1990)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
The Black Castle Olshansky
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.5
Courier
(1986)
Political: Center
Diversity: Low
Traditional
8.3
Ivan the Terrible, Part I
(1944)
Political: Strong Right
Diversity: Low
Leans Traditional
8.7
Stalker
(1979)
Political: Center
Diversity: Low
Leans Traditional
6.6
Esop
(1981)
Political: Center
Diversity: Low
Leans Traditional
7.0
Antarctic Tale
(1980)
Political: Center
Diversity: Low
Leans Traditional
6.7
Life of Klim Samgin
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.6
Mirror for a Hero
(1987)
Political: Center
Diversity: Low
Leans Traditional
6.7
Gunpowder
(1985)
Political: Center
Diversity: Low
Leans Traditional
8.0
Such a Strange Evening in a Small Family Circle
(1985)
Political: Center
Diversity: Low
Leans Traditional
6.8
Juno and Avos
(1983)
Political: Center
Diversity: Low