7.8
Viewer Rating
Combines user and critic ratings from four sources
Gone with No Return (1984)
Gone with No Return (1984)
Overview
Attia (Yehia al-Fakharani) works as a simple employee, after his mother-in-law threatens to break his engagement from her daughter because of his delay in getting an apartment. He travels to his hometown to sell his inheritance. There he falls in love with Kharyia (Leila Alawi) daughter of Kamal Bey (Farid Shawki) who bought his land.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Islam: Positive
Viewer Rating
7.8
Overview
Attia (Yehia al-Fakharani) works as a simple employee, after his mother-in-law threatens to break his engagement from her daughter because of his delay in getting an apartment. He travels to his hometown to sell his inheritance. There he falls in love with Kharyia (Leila Alawi) daughter of Kamal Bey (Farid Shawki) who bought his land.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film is rated as neutral due to the absence of specific thematic or narrative elements that align with either left or right ideologies, focusing instead on universally relatable, apolitical themes and individual experiences.
Based on the limited information provided for 'Gone with No Return,' the movie's representation and narrative framing are assessed as neutral. There is no indication of explicit DEI-driven casting or strong thematic critiques of traditional identities.
Secondary
The film portrays Islam as an integral part of Egyptian society, reflecting the cultural and personal lives of its characters. The narrative explores individual moral struggles within this context, implicitly affirming the dignity of the faith by focusing on human failings or societal challenges rather than critiquing the religion itself.
Based on the provided input, there is no information available to assess the portrayal of LGBTQ+ characters or themes in 'Gone with No Return'. Therefore, the film's net impact on LGBTQ+ representation cannot be determined.
Based on available plot summaries and reviews for 'Gone with No Return' (1984), the film does not appear to feature any identifiable transsexual characters or themes. Consequently, there is no portrayal to evaluate within the scope of this framework.
The movie does not contain any action or adventure elements.
The film 'Gone with No Return' (1984) is presented without any specified source material, prior adaptations, or historical figures. Therefore, there are no pre-established characters whose gender could be canonically swapped.
Gone with No Return (El Hareef) is an original Egyptian film from 1984. Its characters were created for this specific production and do not have a pre-established racial identity from prior source material, history, or previous installments that could be subject to a race swap.
Viewer Rating Breakdown
User Ratings
7.8
7.8
Critic Ratings
N/A
N/A
More Like This
Center
7.0
Love has a Final Story
(1986)
Political: Leans Left
Diversity: Low
Center
10.0
Adam Uncovered
(1990)
Political: Center
Diversity: Moderate
Center
7.8
The Beginning
(1986)
Political: Center
Diversity: Moderate
Center
6.9
Here's Cairo
(1985)
Political: Center
Diversity: Moderate
Leans Progressive
6.7
Those Gentlemen
(1987)
Political: Strong Left
Diversity: Low
Center
7.5
Stories of an Estranged
(1992)
Political: Center
Diversity: Moderate
Center
7.7
Lock Up Your Daughters
(1980)
Political: Center
Diversity: Moderate
Center
6.8
This Was My Father's Crime
(1945)
Political: Center
Diversity: Moderate
Leans Progressive
6.9
The Execution Squad
(1989)
Political: Leans Left
Diversity: Moderate
Center
7.0
Ka3balon
(1985)
Political: Center
Diversity: Moderate
Center
7.3
Banat Hawaa
(1954)
Political: Center
Diversity: Moderate
Progressive
7.4
Hustlers
(2019)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Center
8.3
Nashville
(1975)
Political: Leans Left
Diversity: Low
LGBTQ: Neutral
Center
8.1
Badhaai Ho
(2018)
Political: Center
Diversity: Moderate
Leans Traditional
7.8
La Belle Époque
(2019)
Political: Center
Diversity: Low
Progressive
7.5
Blinded by the Light
(2019)
Political: Leans Left
Diversity: High
Traditional
7.9
Mr. Smith Goes to Washington
(1939)
Political: Leans Right
Diversity: Low
Leans Progressive
9.1
Modern Times
(1936)
Political: Strong Left
Diversity: Low
Leans Traditional
8.8
The Apartment
(1960)
Political: Center
Diversity: Low
Leans Traditional
7.4
Dream Horse
(2021)
Political: Center
Diversity: Low