7.0
Viewer Rating
Combines user and critic ratings from four sources
Goodbye, Columbus (1969)
Goodbye, Columbus (1969)
Overview
A Jewish man and a Jewish woman meet, and while attracted to each other, find that their worlds are very different. She is the archetypal Jewish American Princess — very emotionally involved with her parents' world and the world they have created for her, while he is much less dependent on his family. They begin an affair which brings more differences to the surface.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Leans Left
Diversity: Low
Judaism: Negative
Viewer Rating
7.0
Overview
A Jewish man and a Jewish woman meet, and while attracted to each other, find that their worlds are very different. She is the archetypal Jewish American Princess — very emotionally involved with her parents' world and the world they have created for her, while he is much less dependent on his family. They begin an affair which brings more differences to the surface.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film subtly critiques the materialism and social expectations of the affluent upper-middle class through the lens of a romantic relationship, aligning with left-leaning themes of questioning established social norms and class values.
This film features traditional casting, focusing on a specific white ethnic group without explicit race or gender swaps. The narrative explores themes of class and cultural identity within this community but does not explicitly critique traditional identities or center modern DEI themes.
Secondary
The film satirizes the wealthy, assimilated Jewish community, portraying its adherents as materialistic and hypocritical. Religious practices are often depicted as superficial social performances rather than genuine faith, reinforcing a critical view of their cultural expression.
Goodbye, Columbus does not feature any identifiable LGBTQ+ characters or themes. The film's narrative is entirely centered on a heterosexual romance and its associated social and cultural dynamics, resulting in no portrayal of queer identity.
The film "Goodbye, Columbus" does not feature any identifiable transsexual characters or themes within its narrative. The story primarily focuses on a romance between a working-class man and a wealthy woman, exploring themes of class, assimilation, and Jewish identity in 1960s America.
The movie does not contain any action or adventure elements.
The 1969 film "Goodbye, Columbus" is an adaptation of Philip Roth's 1959 novella. The main characters, Neil Klugman and Brenda Patimkin, retain their original genders from the source material in the film adaptation. No significant character's gender was altered.
The 1969 film "Goodbye, Columbus" is an adaptation of Philip Roth's novella, which features Jewish characters. The main cast members portray these characters in a manner consistent with their established race and ethnicity in the source material, indicating no race swaps.
Viewer Rating Breakdown
User Ratings
6.4
5.3
Critic Ratings
9.2
N/A
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