6.9
Viewer Rating
Combines user and critic ratings from four sources
Gray Mouse (1988)
Gray Mouse (1988)
Overview
The dramatic story of the moral fall of a former plant director who became addicted to the “green serpent.”
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Leans Left
Diversity: Low
Viewer Rating
6.9
Overview
The dramatic story of the moral fall of a former plant director who became addicted to the “green serpent.”
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
Given its likely Soviet origin, the film explores the struggles of an ordinary individual against systemic forces like bureaucracy and social conformity, aligning with left-leaning critiques of power structures and advocating for human dignity within a collective.
This 1988 Soviet film adheres to traditional casting practices, without incorporating intentional race or gender swaps for diversity. Its narrative maintains a neutral or positive framing of traditional identities, and does not feature explicit critiques or central DEI themes, consistent with the cinematic context of its era and origin.
Secondary
Based on the information provided, there are no identifiable LGBTQ+ characters or themes present in the film {Seraya mysh}. Therefore, the net impact on LGBTQ+ portrayal is N/A.
The film 'Gray Mouse' (1988) is a Soviet drama centered on a simple man's life in a rural village. There is no evidence from plot descriptions, character lists, or thematic analyses to suggest the presence of transsexual characters or related themes. Therefore, the film has no depiction relevant to the rubric.
The movie does not contain any action or adventure elements.
The film "Seraya mysh" (1988) is an original Soviet drama. Its characters were created for this specific film, meaning there is no prior canon or historical record from which a character's gender could have been swapped.
Seraya mysh (1988) is an original Soviet drama film. Its characters were created for this specific production and do not have pre-existing canonical or historical racial identities from prior source material, previous installments, or real-world history. Thus, no race swap occurs.
Viewer Rating Breakdown
User Ratings
6.9
N/A
Critic Ratings
N/A
N/A
More Like This
Leans Progressive
8.3
Strike
(1925)
Political: Strong Left
Diversity: Moderate
Leans Traditional
7.1
Dead Man's Letters
(1986)
Political: Center
Diversity: Low
Leans Traditional
8.1
Gentlemen of Fortune
(1971)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mystery of Edwin Drood
(1980)
Political: Center
Diversity: Low
Leans Traditional
7.4
Could One Imagine?
(1981)
Political: Center
Diversity: Low
Traditional
7.5
The Cold Summer of 1953
(1988)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Gobseck
(1987)
Political: Center
Diversity: Low
Leans Traditional
6.6
Tender Age
(1983)
Political: Center
Diversity: Low
Leans Progressive
8.8
Battleship Potemkin
(1925)
Political: Strong Left
Diversity: Low
Leans Traditional
6.8
The Precipice
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.0
Serafima Glyukina's Weekdays and Weekends
(1988)
Political: Center
Diversity: Low
Leans Traditional
7.0
Cloud Heaven
(1990)
Political: Center
Diversity: Low
Leans Traditional
8.5
Come and See
(1985)
Political: Center
Diversity: Low
Leans Traditional
7.5
Courier
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.7
Life of Klim Samgin
(1986)
Political: Center
Diversity: Low
Leans Traditional
8.7
Stalker
(1979)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Law
(1990)
Political: Center
Diversity: Low
Traditional
8.3
Ivan the Terrible, Part I
(1944)
Political: Strong Right
Diversity: Low
Leans Traditional
7.5
The Lonely Businessman's Big Score
(1984)
Political: Center
Diversity: Low
Leans Traditional
6.6
Mirror for a Hero
(1987)
Political: Center
Diversity: Low