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Hard Time: The Premonition (1999)
Logan McQueen is an ex-cop serving a prison term for a bust that had gone awry. During his stint, he learns of a death row inmate that claims he can predict the details of the next violent act of a serial bomber. Once released from prison, Logan tries to find the identity of the bomber and stop him. His best course of action is agreeing to the inmate's request of a reunion with his estranged daughter before he is executed.
Logan McQueen is an ex-cop serving a prison term for a bust that had gone awry. During his stint, he learns of a death row inmate that claims he can predict the details of the next violent act of a serial bomber. Once released from prison, Logan tries to find the identity of the bomber and stop him. His best course of action is agreeing to the inmate's request of a reunion with his estranged daughter before he is executed.
The film's narrative emphasizes individual action and responsibility in addressing crime and injustice, rather than exploring systemic issues or advocating for collective solutions, aligning with right-leaning values.
The movie features traditional casting without explicit DEI-driven race or gender swaps. Its narrative focuses on a conventional action-drama plot, presenting traditional identities neutrally or positively without centralizing DEI critiques.
Hard Time: The Premonition is a crime drama that does not feature any discernible LGBTQ+ characters or themes. The plot focuses on a former police officer turned bounty hunter and a psychic, with no elements related to queer identity or experiences.
The film "Hard Time: The Premonition" does not feature any identifiable transsexual characters or themes. Its narrative focuses on a detective with premonitions tracking a serial killer, without any elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
This film is a sequel to an original TV movie, not an adaptation of pre-existing source material with established characters of a different gender. All significant characters were either created for this series or maintain their established gender from the prior installment.
This film is a direct-to-TV movie and a sequel within its own series. Its characters do not have pre-existing canonical races from external source material, earlier screen versions from other franchises, or real-world history that could be subject to a race swap.
Combines user and critic ratings from four sources























