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Hell, Or A Dossier Against Oneself (1989)
In 1948, a young director, Viktor Kostrov, is arrested after being denounced by his lover’s father. Beria’s inquisition, the horrors of camp life, and the vengeance of criminals form the grim backdrop for the story’s characters: a sadistic warden, a camp boss, Viktor’s terrified fiancée, and her father, an NKVD officer. Based on the autobiographical story by Gennady Beglov.
In 1948, a young director, Viktor Kostrov, is arrested after being denounced by his lover’s father. Beria’s inquisition, the horrors of camp life, and the vengeance of criminals form the grim backdrop for the story’s characters: a sadistic warden, a camp boss, Viktor’s terrified fiancée, and her father, an NKVD officer. Based on the autobiographical story by Gennady Beglov.
The film explores the profound psychological and existential challenges faced by an individual under an oppressive system, focusing on universal themes of autonomy, self-judgment, and resilience, which transcends specific partisan political ideologies.
Due to the absence of specific movie details regarding casting, characters, narrative, and themes, a comprehensive Diversity, Equity, and Inclusion evaluation cannot be performed. The assigned rating reflects an unassessable state rather than an actual analysis of the movie's DEI characteristics.
Based on the information provided, there is no identifiable depiction of LGBTQ+ characters or themes in 'Ad, ili Dose na samogo sebya'. Consequently, an evaluation of its portrayal is not possible, resulting in a net impact of N/A.
Without access to the film's content or plot summary, it is not possible to evaluate its portrayal of transsexual characters or themes. Therefore, no depiction can be identified based on the information provided, resulting in an N/A rating.
The movie does not contain any action or adventure elements.
This 1989 film is an original production and does not appear to be an adaptation of existing source material with pre-established character genders, nor does it feature historical figures or legacy characters from prior installments. Therefore, no gender swaps are identified.
There is no available information or historical context to suggest that this 1989 Soviet film involves characters with established racial identities from source material who were then portrayed as a different race on screen.
Combines user and critic ratings from four sources























