6.2
Viewer Rating
Combines user and critic ratings from four sources
Houseboat (1958)
Houseboat (1958)
Overview
An Italian socialite on the run signs on as housekeeper for a widower with three children.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Viewer Rating
6.2
Overview
An Italian socialite on the run signs on as housekeeper for a widower with three children.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central conflict is resolved through the formation of a new, stable, and traditional nuclear family unit, emphasizing the importance of conventional family structures and gender roles as the solution to the characters' problems.
The movie features a predominantly white cast, consistent with the casting norms of its production era, and does not include any explicit race or gender swaps of traditional roles. The narrative centers on traditional family dynamics and romance, without critiquing or negatively portraying traditional identities or explicitly incorporating DEI themes.
Secondary
Houseboat is a 1958 romantic comedy centered on a widower, his children, and their new housekeeper. The film does not feature any identifiable LGBTQ+ characters or themes, aligning with typical mainstream Hollywood productions of its era.
Houseboat (1958) is a romantic comedy centered on a widower, his children, and a European socialite. The film's narrative and character portrayals do not include any transsexual individuals or explore themes related to transgender identity, resulting in a net impact of N/A.
The movie does not contain any action or adventure elements.
Houseboat (1958) is an original film with characters created specifically for its screenplay. There is no prior source material, historical basis, or previous installment from which any character's gender could have been established and subsequently swapped.
The 1958 film "Houseboat" is an original story, not an adaptation of existing material or a biopic. Therefore, its characters do not have a pre-established canonical or historical race, meaning no race swaps occurred.
Viewer Rating Breakdown
User Ratings
6.6
6.4
Critic Ratings
5.5
N/A
More Like This
Leans Traditional
6.9
Miss Pettigrew Lives for a Day
(2008)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.6
Guys and Dolls
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.1
Irma la Douce
(1963)
Political: Center
Diversity: Low
Leans Traditional
8.3
The Band Wagon
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.8
Metropolitan
(1990)
Political: Center
Diversity: Low
Leans Traditional
7.8
(500) Days of Summer
(2009)
Political: Center
Diversity: Low
Leans Traditional
8.0
An American in Paris
(1951)
Political: Center
Diversity: Low
Leans Traditional
8.4
The General
(1926)
Political: Center
Diversity: Low
Leans Traditional
7.5
Operation Petticoat
(1959)
Political: Center
Diversity: Low
Leans Traditional
8.4
Sideways
(2004)
Political: Center
Diversity: Low
Traditional
7.1
Plus One at an Amish Wedding
(2022)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
How to Succeed in Business Without Really Trying
(1967)
Political: Center
Diversity: Low
Leans Traditional
7.3
Girl Shy
(1924)
Political: Center
Diversity: Low
Traditional
7.9
Holiday Inn
(1942)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Being Julia
(2004)
Political: Center
Diversity: Low
Leans Traditional
7.0
Maggie Simpson in "Playdate with Destiny"
(2020)
Political: Center
Diversity: Low
Leans Traditional
8.4
Lost in Translation
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mask
(1994)
Political: Center
Diversity: Low
Leans Traditional
8.6
Top Hat
(1935)
Political: Center
Diversity: Low
Leans Traditional
6.9
Romance
(1962)
Political: Center
Diversity: Low