MovieBias

See all results for ""
BrowseAnalyticsAbout

Buck Privates Come Home (1947)

Buck Privates Come Home poster

Buck Privates Come Home (1947)

Overview

Two ex-soldiers return from overseas--one of them having smuggled into the country a French orphan girl he has become attached to. They wind up running into their old sergeant--who hates them--and getting involved with a race-car builder who's trying to find backers for a new midget racer he's building.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low

Viewer Rating
6.6

Overview

Two ex-soldiers return from overseas--one of them having smuggled into the country a French orphan girl he has become attached to. They wind up running into their old sergeant--who hates them--and getting involved with a race-car builder who's trying to find backers for a new midget racer he's building.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film's central subject matter revolves around the comedic misadventures of two returning soldiers adjusting to civilian life, with its themes being largely apolitical and focused on individual efforts and slapstick rather than promoting specific ideological viewpoints.

This 1947 comedy features traditional casting, predominantly with white actors in key roles, reflecting the common practices of its era. The narrative maintains a neutral or positive portrayal of traditional identities, without engaging in critical commentary or explicit DEI themes.

Secondary

Buck Privates Come Home, a comedy from 1947, does not include any discernible LGBTQ+ characters or themes. The narrative focuses on the comedic antics of its main protagonists, with no elements related to queer identity or experiences.

The film "Buck Privates Come Home" is a 1947 comedy starring Abbott and Costello. Based on its plot, themes, and historical context, there are no identifiable transsexual characters or themes present in the narrative. The film's content is entirely unrelated to gender identity.

This film is a comedy starring Abbott and Costello, focusing on slapstick humor and musical numbers. It does not feature any female characters engaging in or winning close-quarters physical combat against male opponents. The narrative does not include action sequences of this nature.

This film is a direct sequel to "Buck Privates" (1941) featuring the same main characters and actors. There is no evidence of any established character from the prior installment or other source material being portrayed by a different gender.

This 1947 film is a direct sequel featuring the same main characters and actors from its predecessor. There is no evidence of any character, canonically established as one race, being portrayed by an actor of a different race.


Viewer Rating Breakdown

6.6

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
6.8
The Movie Database logo
6.3

Critic Ratings

Rotten Tomatoes logo
N/A
Metacritic logo
N/A

More Like This

The General poster
Leans Traditional
8.4
The General
 (1926)
Political: Center
Diversity: Low
Bud Abbott and Lou Costello Meet Frankenstein poster
Leans Traditional
7.6
Bud Abbott and Lou Costello Meet Frankenstein
 (1948)
Political: Center
Diversity: Low
Shall We Dance poster
Leans Traditional
7.8
Shall We Dance
 (1937)
Political: Center
Diversity: Low
Roman Holiday poster
Leans Traditional
8.3
Roman Holiday
 (1953)
Political: Center
Diversity: Low
Enchanted poster
Leans Traditional
7.7
Enchanted
 (2007)
Political: Center
Diversity: Low
Knocked Up poster
Leans Traditional
7.7
Knocked Up
 (2007)
Political: Center
Diversity: Low
High Fidelity poster
Leans Traditional
7.9
High Fidelity
 (2000)
Political: Center
Diversity: Low
Groundhog Day poster
Leans Traditional
8.1
Groundhog Day
 (1993)
Political: Center
Diversity: Low
Pretty Woman poster
Leans Traditional
6.5
Pretty Woman
 (1990)
Political: Center
Diversity: Low
The Mask poster
Leans Traditional
7.0
The Mask
 (1994)
Political: Center
Diversity: Low
The Apartment poster
Leans Traditional
8.8
The Apartment
 (1960)
Political: Center
Diversity: Low
Forrest Gump poster
Traditional
8.2
Forrest Gump
 (1994)
Political: Leans Right
Diversity: Low
When Harry Met Sally... poster
Leans Traditional
7.9
When Harry Met Sally...
 (1989)
Political: Center
Diversity: Low
Adventures of Don Juan poster
Traditional
6.8
Adventures of Don Juan
 (1948)
Political: Leans Right
Diversity: Low
Lethal Weapon poster
Leans Traditional
7.5
Lethal Weapon
 (1987)
Political: Leans Right
Diversity: Moderate
Guys and Dolls poster
Leans Traditional
7.6
Guys and Dolls
 (1955)
Political: Center
Diversity: Low
Breakfast at Tiffany's poster
Center
7.9
Breakfast at Tiffany's
 (1961)
Political: Center
Diversity: Low
Maggie Simpson in "Playdate with Destiny" poster
Leans Traditional
7.0
Maggie Simpson in "Playdate with Destiny"
 (2020)
Political: Center
Diversity: Low
Manhattan poster
Traditional
8.3
Manhattan
 (1979)

Political: Center
Diversity: Low
LGBTQ: Negative
Meet Me in St. Louis poster
Traditional
8.4
Meet Me in St. Louis
 (1944)
Political: Leans Right
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com