6.5
Viewer Rating
Combines user and critic ratings from four sources
Pretty Woman (1990)
Pretty Woman (1990)
Overview
While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.5
Overview
While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film primarily focuses on individual romantic and personal transformation, consciously avoiding explicit political commentary or systemic critiques of class or social structures. Its fairytale narrative prioritizes apolitical themes of love and personal growth.
The movie features predominantly traditional casting without explicit race or gender swaps of main roles. Its narrative maintains a neutral to positive framing of traditional identities, focusing on a classic romantic comedy plot rather than incorporating explicit DEI themes or critiques.
Secondary
Pretty Woman does not feature any identifiable LGBTQ+ characters or themes. The narrative centers entirely on heterosexual relationships and experiences, resulting in no portrayal of queer identity within the film's scope.
The film "Pretty Woman" does not feature any identifiable transsexual characters or themes within its narrative. Consequently, there is no portrayal of transsexual identity to evaluate as positive, negative, or neutral, resulting in an N/A rating for this analysis.
The movie does not contain any action or adventure elements.
Pretty Woman is an original screenplay, not an adaptation or reboot. All characters were created for this specific film, thus lacking any prior canonical or historical gender to be swapped from.
Pretty Woman is an original screenplay, not an adaptation of pre-existing material or a historical account. All characters were created for this film, thus lacking any prior canonical race to be swapped from.
Viewer Rating Breakdown
User Ratings
7.1
7.5
Critic Ratings
6.4
5.1
More Like This
Leans Traditional
7.4
Lars and the Real Girl
(2007)
Political: Center
Diversity: Low
Leans Traditional
8.2
The Princess Bride
(1987)
Political: Center
Diversity: Low
Leans Traditional
6.9
Quartet
(2012)
Political: Center
Diversity: Low
Leans Traditional
6.8
Something's Gotta Give
(2003)
Political: Center
Diversity: Low
Center
7.9
Breakfast at Tiffany's
(1961)
Political: Center
Diversity: Low
Leans Traditional
7.0
Maggie Simpson in "Playdate with Destiny"
(2020)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Eagle
(1925)
Political: Center
Diversity: Low
Leans Traditional
8.6
La La Land
(2016)
Political: Center
Diversity: Low
Leans Traditional
7.0
Hello, My Name Is Doris
(2015)
Political: Center
Diversity: Low
Leans Traditional
7.4
Cactus Flower
(1969)
Political: Center
Diversity: Low
Leans Traditional
6.6
Café Society
(2016)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mask
(1994)
Political: Center
Diversity: Low
Leans Traditional
7.1
Irma la Douce
(1963)
Political: Center
Diversity: Low
Leans Traditional
8.1
Midnight in Paris
(2011)
Political: Center
Diversity: Low
Leans Traditional
6.7
The Grass Is Greener
(1960)
Political: Center
Diversity: Low
Traditional
7.1
Plus One at an Amish Wedding
(2022)
Political: Leans Right
Diversity: Low
Leans Traditional
6.5
Sylvia Scarlett
(1935)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.4
Tom, Dick and Harry
(1941)
Political: Center
Diversity: Low
Leans Traditional
7.3
Road to Morocco
(1942)
Political: Center
Diversity: Low
Leans Traditional
6.7
Starting Over
(1979)
Political: Center
Diversity: Low